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A History of Twentieth-Century British Women's Poetry
Publisher Description
The Paradise
Poetry is a form of literature that uses aesthetic and often rhythmic qualities of language. Poetry has a long and varied history, evolving differentially across the globe. It emphasized the aesthetics which distinguish poetry from more objectively informative prosaic writing. Poetry uses forms and conventions to suggest differential interpretations of words or to evoke emotive responses. Poetry is a form of literature that evokes a concentrated imaginative awareness of experience or a specific emotional response through language chosen and arranged for its meaning, sound and rhythm. We are presenting here the cover of Kashmiri Author Eng. Vinod Kumar's book 'The Paradise'. This is a collection of poems.
House documents
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The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere
Examining a wide range of ekphrastic poems, David Kennedy argues that contemporary British poets writing out of both mainstream and avant-garde traditions challenge established critical models of ekphrasis with work that is more complex than representational or counter-representational responses to paintings in museums and galleries. Even when the poem appears to be straightforwardly representational, it is often selectively so, producing a 'virtual' work that doesn't exist in actuality. Poets such as Kelvin Corcoran, Peter Hughes, and Gillian Clarke, Kennedy suggests, relish the ekphrastic encounter as one in which word and image become mutually destabilizing. Similarly, other poets engage ...
The New Lake Poets
William Scammell's wide-ranging anthology of contemporary Cumbrian poets starts with Norman Nicholson (1914-87). The other writers in the book share his commitment to poetry and loyalty to a place which has shown itself friendly to the meditative, individual voice. David Wright and Geoffrey Holloway are the older, more established Cumbrian writers. The middle generation includes the witty Christopher Pilling, the wry Meg Peacocke and the richly humanist Neil Curry as well as William Scammell himself. Patricia Pogson's poetry shows an emotional tact, while David Scott, one of a long line of country poet-priests, is a master of quiet understatement. Elizabeth Delmore and David Lindley write a lucid, traditional poetry, responding very directly to people and places. Mick North celebrates rural lives of hard toil in language of similar toughness, while David Morley is a maverick scientist-poet. The younger poets are Annie Foster, Maggie Hannan, Charles McDonald, Peter Rafferty and Ben Scammell.
