You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
* Lucid and accessible style makes the series appealing to the general reader * Liberally illustrated throughout with stills from the film under discussion. * Collaboration between Cork University Press and the Film Institute of Ireland. Between the premiere of Brian Friel's stage play "Dancing at Lughnasa" in 1990 and Pat O'Connor's cinematic adaptation in 1998, Ireland experienced seismic economic and social changes, as well as "Riverdance", "Angela's Ashes" and an international vogue for all things Irish. Set in 1936, "Dancing at Lughnasa", as both film and play, imagines an anachronistic past in which the loss of joyous communal ritual is symptomatic of the cultural malaise so often associated with Ireland in the 1930s. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel's play and their cinematic counterparts
Presents a brief history and key facts about each country including its size, geographical features, wildlife, and how its people live, work, and play.
It is 1936 and harvest time in County Donegal. In a house just outside the village of Ballybeg live the five Mundy sisters, barely making ends meet, their ages ranging from twenty-six up to forty. The two male members of the household are brother Jack, a missionary priest, repatriated from Africa by his superiors after 25 years, and the seven-year-old child of the youngest sister. In depicting two days in the life of this menage, Brian Friel evokes not simply the interior landscape of a group of human beings trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are a part.
In a world no more than a whisper away from our own, the Islands of Grand Britannia have been reduced by the ancient Plague Wars to a land of deep forests and a handful of small cities, governed by a powerful totalitarian Authority, based in the central city of Londonborough. Chad Mundy, a young teacher is sent to the remote city of Petra Dumnoniorum, to replace a colleague believed to have committed suicide. It soon becomes evident that there are darker, more sinister secrets locked up in the claustrophobic world of the Academy. As Mundy unravels the treachery and deceits behind the Authority, himself threatened and ultimately hunted by the ruthless Enforcer, Deadspike, the world of the dissident pagans and their hopes for freedom are cruelly tested. Events rush towards a fateful confrontation between the totalitarian Authority and the insurgents, culminating at the Midsummer festival and coinciding with a storm that will ultimately lead to tragedy.
Various ways of collecting, storing and recovering memories have been the focus of the most recent joint research project carried out by a group of Irish Studies scholars, all based in the Nordic countries and members of the Nordic Irish Studies Network (NISN). The result of the project, Recovering Memory: Irish Representations of Past and Present, is a collection of essays which examines the theme of memory in Irish literature and culture against the theoretical background of the philosophical discourse of modernity. Offering a wide range of perspectives, this volume examines a plurality of representations—past and present—of memory, both public and private, and the intersection between...
New Reading 360 is a tried and tested whole-school reading scheme, with many years of proven success in raising reading standards
Dogs have masters, cats have staff. Dogs come when called, but cats take a message and get back to you! Angela Tillsworthy’s father was wheelchair bound. He was blind and deaf, but still had a sense of feel and a very alert and active mind. Sitting in a wheelchair day after day put him in a perpetual state of mental torture until one day, her cat jumped up into his lap, and put a permanent smile on his face. They became inseparable. Angela came to realise that the therapeutic power of cats had been considerably underestimated, until now. She formed a company, named it Cozy Cats Cottage plc and employed six cats of varying temperaments and breeds. The cats were then sent to various establishments where young or old needed specialist care. Meet Buckingham, Lily, Dexter, Miss Pretty, TC and Bathsheba, all star employees who find themselves in many weird and wonderful situations throughout the story, which are all mostly inspired by personal experience. This sincere and heartwarming adventure is beautifully illustrated by talented artist Kiran Ahmad and will appeal to animal lovers everywhere.
A photopack.
Grade level: 3, 4, 5, 6, 7, 8, e, p, i, s.