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Show Thyself a Man
In Show Thyself a Man, Gregory Mixon explores the ways African Americans in postbellum Georgia used the militia as a vehicle to secure full citizenship, respect, and a more stable place in society. As citizen-soldiers, black men were empowered to get involved in politics, secure their own financial independence, and publicly commemorate black freedom with celebrations such as Emancipation Day. White Georgians, however, used the militia as a different symbol of freedom--to ensure the postwar white right to rule. This book is a forty-year history of black militia service in Georgia and the determined disbandment process that whites undertook to destroy it, connecting this chapter of the post-emancipation South to the larger history of militia participation by African-descendant people through the Western hemisphere and Latin America.
The Big Tent
For many people, the circus, with its clowns, exotic beasts, and other colorful iconography, is lighthearted entertainment. Yet for Greg Renoff and other scholars, the circus and its social context also provide a richly suggestive repository of changing attitudes about race, class, religion, and consumerism. In the South during the nineteenth and early twentieth centuries, traveling circuses fostered social spaces where people of all classes and colors could grapple with the region’s upheavals. The Big Tent relates the circus experience from the perspectives of its diverse audiences, telling what locals might have seen and done while the show was in town. Renoff digs deeper, too. He points...
Lynching and Spectacle
Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled ...
The Courthouse and the Depot
Their songs insist that the arrival of the railroad and the appearance of the tiny depot often created such hope that it inspired the construction of the architectural extravaganzas that were the courthouses of the era. In these buildings the distorted myth of the Old South collided head-on with the equally deformed myth of the New South."
Northeast Georgia
In the late eighteenth century, waves of intrepid settlers made their way down the Great Wagon Road into the virgin wilderness of Northeast Georgia to find new homes and opportunity for land and wealth. Against a dramatic mountainous backdrop, these pioneers carved out farms and small communities in perilous isolation and created an American experience vastly different from that of the plantation-style society established along Georgia's coast. Battling Creek and Cherokee warriors, government intervention, natural disasters, and a landscape not easily tamed, year after year, these men and women of Northeast Georgia stamped their self-reliance, their perseverance, and their industriousness up...
"Our Connection with Savannah"
From the outset, the 1st Battalion Georgia Sharpshooters had problems. Much of the trouble lay in the organization of Civil War regiments and companies. Most companies in the early years of the war were made up of men from the same town or county. The concept of the sharpshooters was alien to this home-town tradition. Men were asked to leave the comfortable companionship of their neighbors and friends and go into a unit with people they had never met before. Despite its uncertain beginning, the battalion was molded into a fine unit by the skill and energy of its officers and non-commissioned officers. The sharpshooters early won the praise of higher-level commanders and inspecting officers. ...
Through the Heart of Dixie
Through the Heart of Dixie: Sherman's March and American Memory
A Home-Concealed Woman
The world of Magnolia Le Guin, like that of countless farm women, was defined by and confined to home and family. Born in 1869 into the rural, white, agrarian society of Georgia's central piedmont, she raised eight children virtually on her own, yet never in her life ventured farther than thirty miles from her birthplace. Her situation, however extreme, was not unique in her day. What distinguished Le Guin was her love of writing, her need to write about being a wife and mother--despite a daunting workload and burden of responsibilities that left her with little free time or energy. In a plain, idiomatic style, these diaries detail some of the most trying, but nonetheless fulfilling, years o...
Together Let Us Sweetly Live
Together Let Us Sweetly Live THE SINGING AND PRAYING BANDS By Jonathan C. David UNIVERSITY OF ILLINOIS PRESS Copyright © 2007 the Board of Trustees of the University of Illinois All right reserved. ISBN: 978-0-252-07419-6 List of Hymn Notations...............................................................................ix Preface..............................................................................................xi Map..................................................................................................xxi Introduction.........................................................................................1 1. Alfred Green (1908-2003).....................................
Wiregrass Country
A look at a fascinating Deep South region and its distinctive way of life
