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Diaries detail the daily life of a middle Georgia farm wife
The world of Magnolia Le Guin, like that of countless farm women, was defined by and confined to home and family. Born in 1869 into the rural, white, agrarian society of Georgia's central piedmont, she raised eight children virtually on her own, yet never in her life ventured farther than thirty miles from her birthplace. Her situation, however extreme, was not unique in her day. What distinguished Le Guin was her love of writing, her need to write about being a wife and mother--despite a daunting workload and burden of responsibilities that left her with little free time or energy. In a plain, idiomatic style, these diaries detail some of the most trying, but nonetheless fulfilling, years o...
Finalist for the Pulitzer Prize in HistoryCo-winner of the James A. Rawley Prize from the Organization of American HistoriansWinner of the Theodore Saloutos Memorial Book Prize from the Agricultural History Society Deep Souths tells the stories of three southern regions from Reconstruction to World War II: the Mississippi-Yazoo Delta, the eastern Piedmont of Georgia, and the Georgia Sea Islands and Atlantic coast. Though these regions initially shared the histories and populations we associate with the idea of a "Deep South"—all had economies based on slave plantation labor in 1860—their histories diverged sharply during the three generations after Reconstruction. With research gathered from oral histories, census reports, and a wide variety of other sources, Harris traces these regional changes in cumulative stories of individuals across the social spectrum. Deep Souths presents a comparative and ground-level view of history that challenges the idea that the lower South was either uniform or static in the era of segregation. By the end of the New Deal era, changes in these regions had prepared the way for the civil rights movement and the end of segregation.
As African American women left the plantation economy behind, many entered domestic service in southern cities and towns. Cooking was one of the primary jobs they performed, feeding generations of white families and, in the process, profoundly shaping southern foodways and culture. In Cooking in Other Women's Kitchens: Domestic Workers in the South, 1865-1960, Rebecca Sharpless argues that, in the face of discrimination, long workdays, and low wages, African American cooks worked to assert measures of control over their own lives. As employment opportunities expanded in the twentieth century, most African American women chose to leave cooking for more lucrative and less oppressive manufactur...
Studie over zwarte vrouwen in het zuiden van de Verenigde Staten die na het einde van de slavernij in de 19e eeuw huishoudelijk werk gingen doen bij blanke families, met name het koken.
This book explores changes in rural households of the Georgia Piedmont through the material culture of farmers as they transitioned from self-sufficiency to market dependence. The period between 1880 and 1910 was a time of dynamic change when Southern farmers struggled to reinvent their lives and livelihoods. Relying on primary documents, including probate inventories, tax lists, state and federal census data, and estate sale results, this study seeks to understand the variables that prompted farm households to assume greater risk in hopes of success as well as those factors that stood in the way of progress. While there are few projects of this type for the late nineteenth century, and fewer still for the New South, the findings challenge the notion of farmers as overly conservative consumers and call into question traditional views of conspicuous consumption as a key indicator of wealth and status.
Cold Warriors: Manliness on Trial in the Rhetoric of the West returns to familiar cultural forces—the West, anticommunism, and manliness—to show how they combined to suppress dissent and dominate the unruliness of literature in the name of a national identity after World War II. Few realize how much the domination of a “white male” American literary canon was a product not of long history, but of the Cold War. Suzanne Clark describes here how the Cold War excluded women writers on several levels, together with others—African American, Native American, poor, men as well as women—who were ignored in the struggle over white male identity. Clark first shows how defining national/indi...
In May 1914, workers walked off their jobs at Atlanta's Fulton Bag and Cotton Mills, launching a lengthy strike that was at the heart of the American Federation of Labor's first major attempt to organize southern workers in over a decade. In its celebrity, the Fulton Mills strike was the regional contemporary of the well-known industrial conflicts in Lawrence, Massachusetts, and Ludlow, Colorado. Although ultimately unsuccessful, the strike was an important episode in the development of the New South, and as Clifford Kuhn demonstrates, its story sheds light on the industrialization, urbanization, and modernization of the region. Drawing on an extraordinary collection of sources--including reports from labor spies and company informants, photographs, federal investigations, oral histories, and newly uncovered records from the old mill's vaults--Kuhn vividly depicts the strike and the community in which it occurred. He also chronicles the struggle for public opinion that ensued between management, workers, union leaders, and other interested parties. Finally, Kuhn reflects on the legacy of the strike in southern history, exploring its complex ties to the evolving New South.
Taking up where Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations. John Lennard is Director of Studies at Hughes Hall, Cambridge and has also taught for the Universities of London, Notre Dame, and for the Open University, and was Professor of British & American Literature at the University of the West Indies-Mona, 2004-09. Of Modern Dragons and other essays on genre fiction (2007), is also available from Lulu.
Some people think that a cookbook is just a collection of recipes for dishes that feed the body. In Eat My Words: Reading Women's Lives through the Cookbooks They Wrote, Janet Theophano shows that cookbooks provide food for the mind and the soul as well. Looking beyond the ingredients and instructions, she shows how women have used cookbooks to assert their individuality, develop their minds, and structure their lives. Beginning in the seventeenth century and moving up through the present day, Theophano reads between the lines of recipes for dandelion wine, "Queen of Puddings," and half-pound cake to capture the stories and voices of these remarkable women. The selection of books looked at i...