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"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
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This volume of the monumental reference series being prepared under the general editorship of Karl Potter provides summaries of the main works in the Grammarian tradition of Indian philosophy. Describing the functions of language on different levels, from ordinary empirical speech to the poetic intuition of the divine, the Grammarians sought to demonstrate that the correct grammatical use of language and the devotional chanting of mantras are ways of moving from lower to higher stages of knowledge and self-realization. This work gives special emphasis to the thought of Bhartrhari, the great systematizer of the Grammarian philosophy. For those unacquainted with Indian philosophy, the editors'...
Byron at the Theatre is a collection of essays by a wide spectrum of European scholars, dealing with Byron’s dramas in a variety of ways. It starts with a long and detailed introduction on Byron and Drury Lane, incorporating much recent research done on the riotous and squalid conditions of the theatre in Regency London – conditions which go far towards explaining Byron’s distaste for the idea of theatrical success. There follows a chapter about the influence on Byron of Vittorio Alfieri, a vital subject which has not been written about thoroughly for over a century, and which goes far to explain what motivated Byron’s experiments in classical drama. The main body of the essays discuss Byron’s plays from thematic perspectives, and examine Byron himself as a figure in the dramas of Goethe and Stoppard. There is a chapter on Rudolph Nureyev’s little-known Manfred ballet, and another on Byron himself as a dramatic performer. Byron at the Theatre is a vital book for anyone interested in this much-discussed but little-understood aspect of Byron’s life and work.
This book aims to discuss and practices all the issues pertaining to medicinal plants research, documentation, utilization. conservation activities, standardization, quality control, tissue culture, biotechnology, biochemistry, phytochemistry and chemical characterization taking place in various Universities, Institutions, Colleges and their impact on medicinal plants.
Includes entries for maps and atlases.