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Mimesis Journal vol. 3, n. 2
Articoli di F. Perrelli, L. Flaszen, A. Attisani, G. Lughi, A. Pizzo, A. Valle, A. Lieto, R. Damiano, V. Michielon, V. Lombardo, N. Guardini, A. Olivero, E. Marinai, L. Lanera, R. Spagnulo, M. Giacobbe Borelli, G. Randone, V. Di Vita.
Information Technologies for Performing Arts, Media Access, and Entertainment
This book contains revised selected papers from the Second International Conference on Information Technologies for Performing Arts, Media Access and Entertainment, ECLAP 2013, held in Porto, Portugal, in April 2013. The 24 papers presented were carefully reviewed and selected for inclusion in this book. They are organized in topical sections named: perspectives and (digital) strategies for cultural heritage institutions; trust, quality and tools for cultural heritage digital libraries; educational services for the performing arts; dance in the world of data and objects; acting and natural interaction; and music and opera of a digital generation.
Mimesis Journal vol. 2, n. 1
Rivista semestrale di studi sulla vita e le forme del teatro. Articoli di G. Altamura, L. Bosco, C. D'Angelo, G. Guérin, G. Randone, G. Vaudagna, A. Pizzo, R. Gregg, M. Lenzi, A. Petrini, M. Giacobbe Borelli, M.P. Pagani.
Artaud, cruz entre dos rostros
Artaud, cruz entre dos rostros, presentado aquí en edición bilingüe, ahonda en la visión ético-política del poeta francés. Lucidez y locura, valentía y desobediencia, sexualidad y anarquía se muestran como rostros posibles de una misma cruz, una cruz encarnada o un quiasmo luciente que la historia persigue con crueldad. El volumen se completa con una pieza de Joana Masó sobre la violencia necesaria para sobrevivir (o para no estar muerto), escrita a partir de los trabajos de Arnau Pons sobre Artaud, además de otro texto del mismo Pons sobre Heliogábalo o el anarquista coronado. Edición bilingüe. Traducción del francés de Joana Masó. «Un libro exigente y bien articulado sobre el pensamiento de un poeta que es en sí mismo una cima. Un libro sanguíneo que plantea una lúcida y difícil reflexión en torno a la naturaleza humana y a la baba cultural con la que nos protegemos de mirarla a cambio de permanecer en el desamparo.» Berta Ares, Mercurio «Añadiendo un libro sobre Antonin Artaud, Arnau Pons sigue su trabajo del lenguaje como responsabilidad infinita.» Xavier Bassas, Encuentros
Remedi-Action
Questo libro tenta di colmare alcune lacune di storicizzazione proponendo una lettura mediologica del fenomeno videoteatrale negli anni del suo massimo splendore (1978-1988), quando non si era ancora sclerotizzato in forme manieristiche, bensì si poneva come momento di rottura sia rispetto alla tradizione teatrale che alle ricerche di marca poverista. Remedi-Action è corredato da interviste e schede che, unitamente a un'estensiva videografia, propongono una mappatura della produzione videoteatrale attraverso le opere di Giorgio Barberio Corsetti e Studio Azzurro, Dal Bosco e Varesco, Krypton, Magazzini Criminali, Mario Martone con Falso Movimento, Orient Express, Michele Sambin e Tam Teatromusica, Antonio Syxty con Studio Metamorphosi e Alessandro Mendini, Compagnia Solari-Vanzi, Taroni e Cividin.
Scrivere sulla propria pelle
The thesis was carried out in the universities of La Sapienza in Rome and Paris 7, using both ethnologic studies and theater history. It is based on an analysis of changes in today's perception of body as seen by young people, with the poetic filter of texts, images and drawings taken from last cahiers written by Antonin Artaud. These notebooks are filled with references to a conflictuel relationship with the traditional conception of the body. In his last writings, he focused on what he called discorps, an action-language that could allow him to regenerate himself into a new body. The original texts from the last 17 Cahiers d'Ivry, written between January and March 1948, just before his dea...
