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Wanjohi wa Makokha's Nest of Stones is the second book of poems, since the publication of Sitawa Namwalie's Cut off my Tongue (Storymoja: 2009), devoted in principal to the moment of the 2007-2008 Kenyan Crisis. The crisis is locally known as the Post-Election Violence (PEV). The book collects over sixty pieces of his recent verse chosen on the basis of artistic merit and social relevance. The poems focus sharply on the tumultuous period between the General Elections of 2007 and August 4th Referendum of 2010. Some of the poems relate to events drawn out of earlier moments in Kenyan history but are invoked as contexts of the recent discord. Wa Makokha's interesting narratives are written in t...
Writing Language, Culture and Development has 2 essays, 6 stories, 63 poems, 2 plays, and 50 translations into 13 languages; Chinese, Japanese, Nepalese, Arabic, Russian, Korean, Kiswahili, Shona, Hausa, Idoma, Igbo, Akan Twi, and of course, English, from Authors and poets who reside in these among other countries: South Africa, Japan, Vietnam, Nepal, China, Korea, Rusia, Tunisia, Nigeria, India, USA, Canada, Australia, Italy, Zimbabwe, Ghana, Kenya, and the UK, who are connected to these two continents, Asia and Africa. Nurturing South-South interactions and interlocutions, spiritually is an open ended discourse and praxis. It is envisioned that this ground-breaking idea will serve as a tes...
Africanization and Americanization Anthology, Volume 1: Searching for Inter-racial, Interstitial, Inter-sectional, and Interstates meeting spaces, Africa Vs North America, comprises of 107 pieces from 43 poets, 4 essayists, 6 storytellers, and 1 playwright from North America and Africa regions: professors, leading theorists and researchers. The contributors are: Barbara Foley, Barbara Howard, Biko Agozino, poets; A.D Winans, Tim Hall, C Liegh McInnis, Nat Turner, Allan Kolski Horwitz, Changming Yuan, Tiel Aisha Ansari, Diane Raptosh, Wanjohi wa Makokha, storytellers; Paris Smith, Sheree Renée Thomas, and journalists; Kenneth Weene and several other essayists, street poets, academicians, musicians, visual artists... This collection is vibrant, discursive, penetrating, and is invaluable to literary and language experts, poetry collections, social and human scientists, political theorists, race theorists, development practioners, students, general readers and many others.
In Best New African Poets 2021 Anthology there are 18 French speaking African poets from DRC, Congo Brazzaville, Cameroun, Ivory Coast, Benin, Togo, Chad, Senegal, Comoros and more... 14 Portuguese speaking poets from Angola, Sao Tome and Principe, Mozambique and 63 English speaking African poets from among other countries, South Africa, Nigeria, Zimbabwe, Kenya, Uganda, Malawi, Swaziland, Lesotho, Zambia, Tanzania, Ghana, Gambia, Sierra Leone. A full gamut of issues is dissected, from love, marriage, relationships, spirituality, politics, culture, tradition, environmentalism, and the interstellar etc. Included are two collaborations: the first deals with marriage, juxtaposing Monogamy vs Po...
The book offers an overview of Eastern African writing in English since the mid-twentieth century. It shows how proximate modes of literary communication, arising out of residual but vibrant traditions of oral communication, blend with contemporary media to produce hybrid genres of proximity specific to Eastern African literary production.
Smeetha Bhoumik is an artist celebrating her deep engagement with poetry. Her main theme of work is the Universe Series, exploring the mystery, oneness and unifying energies of the universe in oils and new media, shown in national and international exhibitions.
Africa has always blamed external colonisation for its Catch-22s such as violent ethnic conflicts for the struggle for resource control, perpetual exploitation, poverty, and general underdevelopment all tacked to its past, which is a fact, logical, and the right to pour out vials of ire based perpetual victimhood it has clung to, and maintained, and lost a golden chance of addressing another type of colonialism, specifically internal colonisation presided over by black traitors or black betrayers or blats or blabes. Basically, internalised internal colonisation is but a mimesis of Africas nemesis, namely external colonisation as another major side of the jigsaw-cum-story all those supposed to either clinically address or take it on, have, by far, never done so for their perpetual peril. In addressing internal colonisation, this corpus explores and interrogates the narratives and nuances of the terms it uses. The untold story of Africa is about internal colonisation that has alluded to many for many years up until now simply because it made Africans wrongly believe that it is only external colonisation their big and only enemy.
The stars are in alignment. Her dramatists and scholars have spoken on the tapestry of these pages as a testament to the powers that be and the knowledge of the ancients. The language and the expertise involved will speak to your heart in praise of Africa. These word artists, these scholars and dramatists bring their life experience to the book, a noble kind of variety, an energy, their particular aura, the juxtaposition of the effervescent flux of ideas, ideals, innovation and ideology. The narrative in the essays and plays is based on reality and non-reality, the substance of dream killers in some very captivating and enticing lines, it is Africa’s time to shine. This volume is anchored to a dream, and tethered to a goal. Since ancient times there have been generational curses in the bloodline and strongholds that are determined not to let us go. Terrain that in a nutshell has been deposited in our genetic code, but now it is time for the divine awakening of our ancestors and for divine wisdom and new insights to prevail. We owe our ancestors that much. There is truth that speaks to power on these pages.
An in-depth, accessible study of school based intervention programs that affect girls in Kenya, South Africa and Zimbabwe, as a representative subset of Sub Saharan Africa. This book indulges in the reasons why HIV goals are lagging behind particularly with adolescent girls and young women. It tackles issues such as access to quality HIV education and delivery methods used by teachers. It discusses culture and religion as barriers to HIV education. It concludes by suggesting ways for a multi-sectoral approach and transformational change in order to reach the Sustainable Development Goals 2030 and the 90-90-90 targets.
Peace of the Senses: How to Fight the FAGS is a collection of interlinked photographs that deals with the human story in several existential perspectives, especially how we find joy and happiness in difficult circumstances in life. Thus the images in this book celebrate human life, makes funny of difficult situations we go through. There is an element of the comedian in the photos, and it sometimes would create huge howls of laughter, sometimes chuckles and smiles. We go with the adage laughter is the best medicine in this work, and I believe this creates the peace of the senses, as the title presupposes. A set of common themes and philosophical questions permeates the book, bringing the narrative together as an author’s self-interrogation through invented others. Detecting the thematic threads whilst paying attention to the differences requires one to experience the book both horizontally and vertically, following a narrative that seems as much widening as deepening.