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Women Writing Greece explores images of modern Greece by women who experienced the country as travellers, writers, and scholars, or who journeyed there through the imagination. The essays assembled here consider women's travel narratives, memoirs and novels, ranging from the eighteenth to the late twentieth century, focusing on the role of gender in travel and cross-cultural mediation and challenging stereotypical views of 'the Greek journey', traditionally seen as an antiquarian or Byronic pursuit. This collection aims to cast new light on women's participation in the discourses of Hellenism and Orientalism, examining their ideological rendering of Greece as at once a luminous land and a site crossed by contradictory cultural memories. Arranged chronologically, the essays discuss encounters with Greece by, among others, Lady Elizabeth Craven, Lady Hester Stanhope, Lady Montagu, Lady Morgan, Mary Shelley, Felicia Skene, Emily Pfeiffer, Eva Palmer, Jane Ellen Harrison, Virginia Woolf, Ethel Smyth, Christa Wolf, Penelope Storace and Gillian Bouras, and analyse them through a variety of critical, historical, contextual and theoretical frames.
Site, Sight, Insight presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space. Hunt questions our intellec...
This innovative new study examines the significance given to the country house in Ireland under the Union and how this is represented in the works of Edgeworth, Lever, Trollope, Martin and Somerville, Bowen, and Lady Gregory. The Irish country house is set in a classical and European context as the center for "the good life" and the pinnacle of "civilization." In Ireland, that inherited tradition was challenged by an alternative culture nominated as "savage." This book explores how the Irish country house was the focus of conflict between and symbiosis of the two views.
Wendy Motooka contends that 'the Age of Reason' was actually an Age of Reasons. Joining imaginative literature, moral philosophy, and the emerging discourse of the new science, she seeks to historicise the meaning of eighteenth-century 'reason' and its supposed opposites, quixotism and sentimentalism. Reading novels by the Fieldings, Lennox and Sterne alongside the works of Adam Smith, Motooka argues that the legacy of sentimentalism is the social sciences. This book raises our understanding of eighteenth-century British culture and its relation to the 'rational' culture of economics that is growing ever more prevasive today.
Published in 1749, the story of Mrs. Teachum and the nine pupils who make up her “little female academy” is widely recognized as the first full-length novel for children, and the first to be aimed specifically at girls. The daily experiences of Mrs. Teachum’s charges are interwoven with fables and fairy tales illustrating the book’s underlying principles, which draw on contemporary theories of education and virtue. As central to the history of the novel as it is to the development of children’s literature, The Governess is a pioneering work by one of the eighteenth century’s most respected women writers. This Broadview edition includes a critical introduction that places The Governess in its cultural and literary context; appendices include examples of eighteenth-century educational literature and selections from Fielding’s correspondence.
The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable readers to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture. The chapters are organized into five sections-'Works', 'Biographical Contexts', 'Literary and Cultural Contexts', 'Afterlives', and 'Reading Byron Now'-that guide readers through the most important issues and frameworks for interpreting Byron. 'Works' presents original readings of Byron's key works and many of his lesser-known ones, ...
Once the dominant literary form, poetry was gradually eclipsed by the realist novel; indeed, by 1940 W. H. Auden was able to note, "Poetry makes nothing happen." In The Perversity of Poetry, Dino Franco Felluga explores the cultural background of poetry's marginalization by examining nineteenth-century reactions to Romantic poetry and ideology. Focusing on the work of Sir Walter Scott and Lord Byron, as well as periodical reviews, student manuals, and contemporary medical journals, the book details the period's two contending (and equally outrageous) claims regarding poetry. Scott's poetry, on the one hand, was continually represented as a panacea for a modern world overtaken by new principl...
Moving chronologically from Byron's earliest writings to those at the end of his life, Liberty and Poetic Licence brings together a distinguished group of Byron scholars to consider every aspect of Byron's poetry and prose. The focal point of the collection—and, arguably, of Byron's life and work—is freedom, and particular essays relate the concept of freedom to topics such as grammar, animal rights, and morality. The wide range of issues addressed by the prominent international contributors insure that Liberty and Poetic Licence will be essential to scholars of Byron and English Romanticism.
Byron: The Erotic Liberal explores the relationship between Byron's erotic life and his political commitments, placing his poetry in the context of the work of other aristocratic liberals such as Madame de Stael.
This book offers a new account of the relationship between empiricism and the essay in the late eighteenth and early nineteenth centuries. Exploring topics such as trust, testimony, virtue, and language, it offers new perspectives on connections between philosophy and literature, empiricism and transcendentalism, and Enlightenment and Romanticism.