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This volume includes many of the papers given at the 1997 conference of the British Archaeological Association. It focuses on aspects of patronage, the wider architectural context of the cathedral, and on the Romaneque sculpture and manuscripts with the diocese.
The diversity of sculpture preserved at the Herefordshire School has fascinated art historians for many years. Although much of the sculpture has been published and discussed in academic journals, there has been no comprehensive work on the subject - until now. Thurlby focuses attention on the sculpture form the school in its building context, whilst also seeking parallels from other buildings and in other media. This book will appeal to both the specialist and non-specialist due to its style and wide ranging discussion. Thurlby draws in comparisons from Britain and abroad, discusses the inspiration for many of the pieces, the patrons and the motives for their patronage, the training and role of craftsmen, and so on. Over 240 illustrations complement the text.
Essays centred on the methods, pleasures, and pitfalls of architectural interpretation. Architecture affects us on a number of levels. It can control our movements, change our experience of our own scale, create a particular sense of place, focus memory, and act as a statement of power and taste, to name but a few. Yet the ways in which these effects are brought about are not yet well understood. The aim of this book is to move the discussion forward, to encourage and broaden debate about the ways in which architecture is interpreted, with aview to raising levels of intellectual engagement with the issues in terms of the theory and practice of architectural history. The range of material cov...
This book compiles the papers presented at the British Archaeological association conference held in 2001, which concentrated on the Roman and medieval art, architecture and archaeology of the city and county. It provides scholars with a firm baseline for future research in this area.
Pugin’s global influence on church architecture and material reform The year 2012 marked the bicentenary of the gothic revival architect A.W.N. Pugin. His influence as a designer not only spread fast globally, but also played a leading part in the transformation of material culture from the mid-nineteenth century onwards. Pugin’s work has been comprehensively reevaluated over the last decade. In this volume sixteen leading scholars from across the globe discuss Pugin’s direct influence on church architecture and furnishing. Beautifully illustrated with a large selection of new photography, Gothic Revival Worldwide, the successor to the volume Gothic Revival published in 2000, reveals h...
Forty-three castles and fortified sites here described were founded or given their most significant fabric after 1217. They include tower-houses, strong houses, possible castles, and twenty masonry castles ranging from the great Clare works at Caerphilly and Morlais to the small modestly fortified sites at Barry and Weobley, and the exceptional fortified priory at Ewenny. The density and variety of the medieval fortifications in Glamorgan are unrivalled, and their study is enriched by an exceptional range of works on the history and records of a historic county formed by merging the lordships of Glamorgan and Gower. Part la described the early castles and traced their role in the Norman conq...
The aim of the volume is to bring together the latest research on the importance of bishops’ palaces for social and political history, landscape history, architectural history and archaeology. It is structured in three sections: design and function, landscape and urban context, and architectural form and includes contributions from the late Antique period through to the eighteenth and nineteenth centuries, considering bishops’ residences in England, Scotland, Wales, the Byzantine Empire, France, and Italy.
In ten original studies, former students and colleagues of Maurice Careless, one of Canada's most distinguished historians, explore both traditional and hitherto neglected topics in the development of nineteenth-century Ontario. Their papers incorporate the three themes that characterize their mentor's scholarly efforts: metropolitan-hinterland relations; urban development; and the impact of 'limited identities' — gender, class, ethnicity and regionalism — that shaped the lives of Old Ontarians. Traditional topics — colonial-imperial tension and the growth of Canadian autonomy in the Union period, the making of a 'compact' in early York, politics in pre-Rebellion Toronto, and the socia...
Church Woodwork in the British Isles, 1100-1535: An Annotated Bibliography is a thoroughly researched bibliographic guide to monographic, serial, archival, and graphical resources that deal with all aspects of late Romanesque, Gothic, and early Renaissance ecclesiastical woodwork in churches throughout the United Kingdom and the Republic of Ireland. Dealing with both the decorative and structural elements of wooden church furnishings fittings, this authoritative reference tool includes more than 900 annotated citations for works published from the mid-19th century to the present. The extensive and informative annotations provide a synopsis of each cited resource. Resources are categorized in separate chapters by their specific location in the church, their decorative features, their structural function, or other pertinent criteria. This annotated bibliography represents the most comprehensive reference tool for material that deals with church woodwork that has yet been published.
This important addition to the literature is the first overall study of the architecture of Norman England since Sir Alfred Clapham's English Romanesque Architecture after the Conquest (1934). Eric Fernie, a recognized authority on the subject, begins with an overview of the architecture ofthe period, paying special attention to the importance of the architectural evidence for an understanding of the Norman Conquest. The second part, the core of the book, is an examination of the buildings defined by their function, as castles, halls, and chamber blocks, cathedrals, abbeys, andcollegiate churches, monastic buildings, parish churches, and palace chapels. The third part is a reference guide to the elements which make up the buildings, such as apses, passages, vaults, galleries, and decorative features, and the fourth offers an account of the processes by which they wereplanned and constructed. This book contains powerful new ideas that will affect the way in which we look at and analyze these buildings.