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Maxon Crumb—artist, author, and yogi—embarked on a coast-to-coast odyssey to conquer one severe challenge after another: a brutal childhood, crushing sibling rivalry, lost love, death threats, and debilitating disease. Each chapter in Maxon: Art Out of Chaos recounts Maxon's agonizing journey to mature into a fiercely independent artist. Excerpts from Maxon's writings, anecdotes, from his brother R. Crumb, plus a gallery of Maxon's stunning artworks showcase the story of a man who bares his world to us through ink, oil, metal, and word.
James Watrous explores the development of the University of Wisconsin's art collections, and the campaign to create its eventual home, the Elvehjem Museum of Art, which opened in 1970 and changed it's name to the Chazen Museum of Art in 2005. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
A newly covered best-sellers for creative hands and curious minds, featuring 32 pages of fine line art, fun-to-read and informative facts -- and bold, updated cover for contemporary consumers.Children will be spellbound by this magical tale of a princess in search of the Mirror of Truth, complete with hidden pictures. Try and find them all.
Edward Gorey (1925–2000) was a fascinating and prolific author and artist. Of the one hundred delightful and fascinating books that Gorey wrote and illustrated, he rarely revealed their specific inspirations or their meanings. Where did his intriguing ideas come from? In Gorey Secrets: Artistic and Literary Inspirations behind Divers Books by Edward Gorey, Malcolm Whyte utilizes years of thorough research to tell an engrossing, revealing story about Gorey’s unique works. Exploring a sampling of Gorey’s eclectic writings, from The Beastly Baby and The Iron Tonic to The Curious Sofa and Dracula, Whyte uncovers influences of Herman Melville, Agatha Christie, Edward Lear, the I Ching, William Hogarth, Rene Magritte, Hokusai, French cinema, early toy books, eighteenth-century religious tracts for children, and much more. With an enlightening preface by Gorey collaborator and scholar Peter F. Neumeyer, Gorey Secrets brings important, uncharted insight into the genius of Edward Gorey and is a welcome addition to collections of both the seasoned Gorey reader and those who are just discovering his captivating books.
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This monograph seeks to recover and assess the critically neglected comic strip work produced by the Irish painter Jack B. Yeats for various British publications, including Comic Cuts, The Funny Wonder, and Puck, between 1893 and 1917. It situates the work in relation to late-Victorian and Edwardian media, entertainment and popular culture, as well as to the evolution of the British comic during this crucial period in its development. Yeats’ recurring characters, including circus horse Signor McCoy, detective pastiche Chubblock Homes, and proto-superhero Dicky the Birdman, were once very well-known, part of a boom in cheap and widely distributed comics that Alfred Harmsworth and others published in London from 1890 onwards. The repositioning of Yeats in the context of the comics, and the acknowledgement of the very substantial corpus of graphic humour that he produced, has profound implications for our understanding of his artistic career and of his significant contribution to UK comics history. This book, which also contains many examples of the work, should therefore be of value to those interested in Comics Studies, Irish Studies, and Art History.
For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretatio...