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The Paradise Garden Murals of Malinalco
Winner, Charles Rufus Morey Award, 1993 The valley of Malinalco, Mexico, long renowned for its monolithic Aztec temples, is a microcosm of the historical changes that occurred in the centuries preceding and following the Spanish conquest in the sixteenth century. In particular, the garden frescoes uncovered in 1974 at the Augustinian monastery of Malinalco document the collision of the European search for Utopia with the reality of colonial life. In this study, Jeanette F. Peterson examines the murals within the dual heritage of pre-Hispanic and European muralism to reveal how the wall paintings promoted the political and religious agendas of the Spanish conquerors while preserving a record ...
Malinalco
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Theaters of Conversion
Mexico's churches and conventos display a unique blend of European and native styles. Missionary Mendicant friars arrived in New Spain shortly after Cortes's conquest of the Aztec empire in 1521 and immediately related their own European architectural and visual arts styles to the tastes and expectations of native Indians. Right from the beginning the friars conceived of conventos as a special architectural theater in which to carry out their proselytizing. Over four hundred conventos were established in Mexico between 1526 and 1600, and more still in New Mexico in the century following, all built and decorated by native Indian artisans who became masters of European techniques and styles ev...
Archaeology of Ancient Mexico and Central America
This reference is devoted to the pre-Columbian archaeology of the Mesoamerican culture area, one of the six cradles of early civilization. It features in-depth articles on the major cultural areas of ancient Mexico and Central America; coverage of important sites, including the world-renowned discoveries as well as many lesser-known locations; articles on day-to-day life of ancient peoples in these regions; and several bandw regional and site maps and photographs. Entries are arranged alphabetically and cover introductory archaeological facts (flora, fauna, human growth and development, nonorganic resources), chronologies of various periods (Paleoindian, Archaic, Formative, Classic and Postclassic, and Colonial), cultural features, Maya, regional summaries, research methods and resources, ethnohistorical methods and sources, and scholars and research history. Edited by archaeologists Evans and Webster, both of whom are associated with Pennsylvania State University. c. Book News Inc.
The Tenochca Empire of Ancient Mexico
The most important political entity in pre-Spanish Mesoamerica was the Tenochca Empire, founded in 1428 when the three kingdoms of Tenochtitlan, Tetzcoco, and Tlacopan formed an alliance that controlled the Basin of Mexico and other extensive areas of Mesoamerica. In a unique political structure, each of the three allies headed a group of kingdoms in the core of the Empire. Each capital possessed settlements of peasants both in its own domain and in those of the other two capitals; in conquered areas nearby, the three capitals had their separate tributaries. In The Tenochca Empire Pedro Carrasco incorporates years of research in the archives of Mexico and Spain and compares primary sources, some not yet published, from all three of the great kingdoms. Carrasco takes in the total tripartite structure of the Empire, defining its component entities and determining how they were organized and how they functioned.
Military Ethos and Visual Culture in Post-conquest Mexico
Bringing to bear her extensive knowledge of the cultures of Renaissance Europe and sixteenth-century Mexico, Mónica Domínguez Torres here investigates the significance of military images and symbols in post-Conquest Mexico. She shows how the 'conquest' in fact involved dynamic exchanges between cultures; and that certain interconnections between martial, social and religious elements resonated with similar intensity among Mesoamericans and Europeans, creating indeed cultural bridges between these diverse communities. Multidisciplinary in approach, this study builds on scholarship in the fields of visual, literary and cultural studies to analyse the European and Mesoamerican content of the martial imagery fostered within the indigenous settlements of central Mexico, as well as the ways in which local communities and leaders appropriated, manipulated, modified and reinterpreted foreign visual codes. Military Ethos and Visual Culture in Post-Conquest Mexico draws on post-structuralist and post-colonial approaches to analyse the complex dynamics of identity formation in colonial communities.
Encyclopedia of Prehistory
The Encyclopedia of Prehistory represents temporal dimension. Major traditions are an attempt to provide basic information also defined by a somewhat different set of on all archaeologically known cultures, sociocultural characteristics than are eth covering the entire globe and the entire nological cultures. Major traditions are prehistory of humankind. It is designed as defined based on common subsistence a tool to assist in doing comparative practices, sociopolitical organization, and research on the peoples of the past. Most material industries, but language, ideology, of the entries are written by the world's and kinship ties play little or no part in foremost experts on the particular ...
Lonely Planet Mexico
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Ten Landscapes Mario Schjetnan
Mario Schjetan is one of the world's most versatile and accomplished contemporary landscape architects -- a cosmopolitan designer who is also empathetically Mexican. His work has been influenced by Mexican art, by twentieth-century awareness, and by his friendships with modernist designers, including Luis Barragan, Max Cetto, and Mario Pani. He has worked on historic and modern sites, and has successfully adapted his work to the increasingly global demands on landscape design.
