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Crime School
For readers of Stieg Larsson: the sixth Mallory novel from the New York Times bestselling author of The Chalk Girl—in trade paperback for the first time. Police Detective Kathleen Mallory recognized the dead call girl. It was someone from her past, a woman who protected her on the streets of New York—and who betrayed her. Mallory also recognized the crime scene: victim hanging, hair in mouth, fire burning. It happened twenty-one years ago, when Mallory was a child. Now—whether it’s the work of a copy-cat killer or a serial murderer—it has happened again. Kathleen Mallory’s past has finally caught up with her.
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A world list of books in the English language.
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Find Me
Fans of the Girl with the Dragon Tattoo trilogy will just love this creepy and alluring teen thriller. Complete with action, techie intrigue, a horrifying mystery, and a blossoming romance full of sparks, Find Me is an exhilarating debut. When teen hacker and foster child Wick Tate finds a dead classmate's diary on her front step, with a note reading "Find me," she sets off on a perverse game of hide-and-seek to catch the killer. But things get even more personal as Wick's deadbeat dad returns and the killer points to Wick's sister Lily as the next target. With the help of oh-so-cute hacker-boy-next-door Griff, can Wick find her tormenter and save her sister? Find Me won a 2012 Golden Heart Award and placed first in the 2011 YA Unpublished Maggie Awards (given by Georgia Romance Writers).
Unfinished Austen: Interpreting "Catharine", "Lady Susan", "The Watsons" and "Sanditon"
Unfinished Austen examines four texts that Jane Austen left incomplete: Catharine, or the Bower (1792–-3), Lady Susan (1795?), The Watsons (1803–-4?) and Sanditon (1817), none of them published till well after her death. Since very little in manuscript form survives from the six famous novels, these four manuscript texts offer insight into the novelist in the process of creation. They also problematize the romance plot prominent in the published novels by presenting this in a nebulous or incipient state that underlines its artificiality. These texts sometimes show how the romance plot is inflected by the financial condition in which young marriageable women can find themselves. Moreover, the stories (other than Catharine) have aroused the interest of many later writers—including writers for theatre and screen—who are eager to complete or to amplify them. They may do this through developing the stories to some kind of dénouement. Perhaps more intriguingly, however, these texts induce some writers to question the very enterprise of concluding an unfinished text.
