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The Garima Gospels
The three Garima Gospels are the earliest surviving Ethiopian gospel books. They provide glimpses of lost late antique luxury gospel books and art of the fifth to seventh centuries, in the Aksumite kingdom of Ethiopia as well as in the Christian East. As this work shows, their artwork is closely related to Syriac, Armenian, Greek, and Georgian gospel books and to the art of late antique (Coptic) Egypt, Nubia, and Himyar (Yemen). Like most gospel manuscripts, the Garima Gospels contain ornately decorated canon tables which function as concordances of the different versions of the same material in the gospels. Analysis of these tables of numbered parallel passages, devised by Eusebius of Caesa...
From the Magdala Stone to the Syriac Bema
This book sheds light on the reciprocal relations between liturgical performance and the physical spaces in which they took place in synagogues and churches in antiquity. The kernel of the manuscript revolves around a decorated stone that was found during the excavations of a synagogue dated to the first century CE at Magdala on the shore of the Sea of Galilee. The book displays how this important archaeological discovery radically transforms our understanding of the changes in the shape of the liturgical space and the liturgical furniture in the places of assembly of the two sister faiths, Judaism and Christianity.
Treasures of Ethiopia and Eritrea in the Bodleian Library, Oxford
In Ethiopia and Eritrea manuscripts, often beautifully illustrated, have been for centuries the principal means of recording not just the Scriptures but also historical information. Ethiopic manuscripts thus provide a unique window into the life and culture of Ethiopians and Eritreans up to the twenty-first century. The collection of Ethiopic manuscripts in the Bodleian Library in Oxford is one of the most significant in Europe. The Bodleian acquired its first Ge'ez manuscript in 1636 and further expanded its collection in 1843, when it acquired twenty-four of the manuscripts that the Scottish explorer James Bruce had brought back from Ethiopia and Eritrea. During the twentieth and twenty-fi...
Canones: The Art of Harmony
The so-called ‘Canon Tables’ of the Christian Gospels are an absolutely remarkable feature of the early, late antique, and medieval Christian manuscript cultures of East and West, the invention of which is commonly attributed to Eusebius and dated to first decades of the fourth century AD. Intended to host a technical device for structuring, organizing, and navigating the Four Gospels united in a single codex – and, in doing so, building upon and bringing to completion previous endeavours – the Canon Tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the Four Gosp...
Neglected Architectural Decoration from the Late Antique City
This book examines neglected architectural decoration from the late antique city of the East Mediterranean. It addresses the omission in scholarship of discussion about the embellishment of non-monumental secular buildings (public porticoes, small public baths, shops/workshops, and non-elite houses). The finishing of these structures has been overlooked at the expense of more lofty buildings and remains one of the least known aspects of the late antique city. The author surveys the archaeological evidence for decoration in the region, with the maritime sites of Ostia and Ephesus selected as case studies. Drawing upon archaeological, written, and visual sources, it attempts to reconstruct how such buildings appeared to late antique viewers and investigates why they were decorated as they were.
Life in a Cave in Petra with the Bdoul
From 1981 until 1986, the archaeologist Judith McKenzie, then a graduate student at the University of Sydney, traveled to the ancient site of Petra in Jordan, living in a cave there for extended periods, in order to survey and measure architectural moldings on the rock-cut monuments. It was a critical time in the history of Petra, where, for centuries, its local inhabitants, known as the Bdoul, had lived and worked. But that tradition was coming to a close. In 1985, the Bdoul began a move to the nearby village of Umm Sayhoun, as directed by the Jordanian government. This first-hand account of life in a cave at Petra, based on diaries Judith kept at the time she lived among the Bdoul, is ther...
Textile in Architecture
This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies, building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material, textile has offered a captivating model and metaphor for architecture through its ability to enclose, tie together, weave, communicate, and adorn. Recently, architects have shown a renewed interest in the textile medium due to the use of computer-aided d...
A Globalised Visual Culture?
Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especia...
New Rome
'Fascinating ... illuminating ... Stephenson examines ordinary life, painting a vivid and intriguing picture.' The Times Long before Rome fell to the Ostrogoths in AD 476, a new city had risen to take its place as the beating heart of a late antique empire, the glittering Constantinople: New Rome. In this magisterial work, Professor Paul Stephenson charts the centuries surrounding this epic shift of power. He traces the cultural, social and political forces that led to the empire being ruled from a city straddling Europe and Asia, placing all into a rich natural and environmental context informed by the latest scientific research. Blending narrative with analysis, he shows how the city and empire of New Rome survived countless attacks and the rise of Islam. By the end, the wide world of linked cities had changed into a world founded on new ideas about government and God, art and war, and the very future of a Christian empire: Byzantium.
Africa and Byzantium
Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques—from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts—Africa and Byzantium recounts Africa’s centrality in transcontinental networks of trade and cultural exchange. With incisive scholarship and new photography of works rarely or never before seen in public, this long-overdue publication sheds new light on the staggering artistic achievements of late antique Africa. It reconsiders northern and eastern Africa’s contributions to the development of the premodern world and offers a more complete history of the region as a vibrant, multiethnic society of diverse languages and faiths that played a crucial role in the artistic, economic, and cultural life of Byzantium and beyond.
