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A collection of new poems by writer Mandy Kahn.
Poetry. After selling out its British edition, Mandy Kahn's stunning first collection of poems, MATH, HEAVEN, TIME, is now available in an American paperback edition. This is a collection with easy lyricism and clear- eyed wisdom woven effortlessly into its remarkably readable fabric, written by a poet whom World Literature Today calls "a rising star of West Coast poetry," and about whom Flaunt magazine says, "She is that relatively rare cultural anomaly, the professional poet, who confounds the warnings of finger- wagging parents and college counsellors everywhere."
Poetry. Music. In Mandy Kahn's wonderfully inventive and gloriously lyrical second collection, Béla Bartók treks into remote villages to record folk songs on the world's first phonograph, a dying Gustav Mahler is greeted in heaven by Mozart, Igor Stravinsky receives a letter from a music student who wonders what rules are left to break, and Glenn Gould's chair defends its owner against claims of eccentricity. Kahn--who also works as an opera librettist--explores the challenges and exaltations of the creative life in brilliant, accessible poems that explode with curiosity, incisiveness, and awe--and that build into a lush celebration of music and making.
The first decade of the 21st century appears to belong to the collagist, for whom the creative act is not invention from scratch but rather the collecting, cutting and pasting of the already extant.Collage, which began as an art meant to confound the brain with its disparate components, has jumped the flat surface, so that an astonishing number of musicians, designers and writers might be described as collage artists.This book contains two essays by Aaron Rose and Mandy Kahn that explore the effect of this widespread trend, vividly typeset by graphic designer Brian Roettinger.An additional centre section by Roettinger includes original works created especially for this book that imagine what might follow the age of collage.
Most children, especially children on the autism spectrum, accept adults' friendliness at face value. Sometimes it can have tragic consequences. Written by a Deputy Sheriff, this book is credited with foiling at least 22 stranger abductions. Characters Bobby and Mandee explain stranger danger in a way that is accessible, but not frightening, for children. Read it to your child and role-play different scenarios. Create a password only you and your child know, label backpacks on the inside (so strangers won't know your name). Strangers can be men or women, old or young. Adults should not touch, give gifts to, or ask for help from children. If they do, don't keep it a secret! Tell an adult! Arm your child with the knowledge that may save his or her life.
On her seventy-fifth birthday, the author’s mother confessed to an affair more than three decades past. His father’s response was unforgiving. Her need to confess met his limitless rage. She acted out of love; he sought revenge. Their battle consumed everything and everyone around them. In the middle of this struggle, she was diagnosed with cancer. Two years later, she died. Testimony is a son’s memoir of this struggle. Paul Kahn finds here a story of the twentieth century, beginning with poverty in the Depression and immigration from Hitler’s Germany. He follows his father’s experience of the war and his return with PTSD. He traces his parents’ movement through the turbulent 60s. More than a study of twentieth-century culture, Testimony is a philosophical inquiry into the possibility of faith in a secular age. History, philosophy, and theology flow together as Kahn finds in his parents’ lives the resources for a series of essays on the nature of truth, memory, death, and faith. Testimony is most of all a meditation on love in a time in which the very possibility of faith is constantly put to the test.
Golden Wings, by Frank Kerns, is a novel of a family living amidst small town treachery set during the national scandal of the JFK assassination. The novel ties up a lot of loose ends into one coherent explanation. Its an intriguing premise with a wide and interesting cast of Southern characters. John DeSimone - Author/Editor
David Shook's debut collection employs the city as a lens through which to explore the multiplicity of voices that inhabit it, cannibalizing a wide range of his predecessors - from the Classical Nahuatl singers of the Aztec empire to the contemporary poets of Mexico City - to scrape away the city's grunge and reveal hidden layers of sediment and story.
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
The 2018 edition of the Best American Poetry—“a ‘best’ anthology that really lives up to its title” (Chicago Tribune)—collects the most significant poems of the year, chosen by Poet Laureate of California Dana Gioia. The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.