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Regressive Fictions
In a cultural shift around the mid-point of the French eighteenth century, the mode of wit is increasingly displaced by bourgeois pathos. Social sophistication and sexual experience are rejected in favour of a retreat into ideal imagination. Instead of the novel of worldliness, we encounter fictions of better worlds: original, natural, familial, innocent and harmonious, protected against reality and time. The regressive shift is traced in this study in general terms, and then through detailed analysis of three of the best-selling novels of the period. The turning-point is represented by Mme de Graffignys Lettres dune Peruvienne (1747, 1752) with its profound ambivalence towards knowledge. A new order is revealed and set out, but still declared lacking, in Rousseaus Julie, ou la Nouvelle Heloise (1761). The visionary return to the organic wholeness of nature is offered by Bernardins Paul et Virginie (1788).
In(ter)discipline
'Interdisciplinarity' has dynamised the Modern Humanities. Yet, this presents serious challenges involving both translation and affect. Another challenge concerns language. This book examines the routine to propose alternative languages.
The Syllables of Time
This study reveals reading to be one of the main activities to occupy the inhabitants of the world of Marcel Proust's novel A la recherche du temps perdu. Characters do not just read books but have access to the journals and newspapers of a rapidly expanding print industry. They receive letters and postcards from family and friends. The posters of a nascent advertising industry tempt them to spend an evening at the theatre or a holiday by the sea, and new forms of communication, such as telegraphy, enter their lives and require new strategies of deciphering. All human activity is glossed by means of a series of metaphors of reading, extending the reader's domain beyond the written text. Through a series of illuminating analyses, Teresa Whitington shows how this web of references builds into a specifically Proustian account of both the outer, social context of reading and the inner, psychological world of the reader. Proust offers a contribution to the history of reading in the France of his own lifetime and suggests that reading is the very condition of the writing of his fiction.
Imagining Jewish Art
What does Jewish art look like? Where many scholars, critics, and curators have gone searching for the essence of Jewish art in Biblical illustrations and portraits of rabbis, Rosen sets out to discover Jewishness in unlikely places. How, he asks, have modern Jewish painters explored their Jewish identity using an artistic past which is -- by and large -- non-Jewish? In this new book, we encounter some of the great works of Western art history through Jewish eyes. We see Matthias Grunewald's Isenheim Altarpiece re-imagined by Marc Chagall (1887-1985), traces of Paolo Uccello and Piero della Francesca in Philip Guston (1913-1980), and images by Diego Velazquez and Paul Cezanne studiously reworked by R.B. Kitaj (1932-2007). This highly comparative study draws on theological, philosophical and literary sources from Franz Rosenzweig to Franz Kafka and Philip Roth. Rosen deepens our understanding not only of these three modern painters but also of how art might serve as a key resource for rethinking such fundamental Jewish concepts as family, tradition, and homeland.
Consuming Autobiographies
Since 1975, French literary writing has been marked by an autobiographical turn which has seen authors increasingly often tap into the vein of what the French term criture de soi. This coincides, paradoxically, with the 'death of autobiography', as these authors self-consciously distance themselves and their writings from conventional autobiography, founding a 'nouvelle autobiographie' where the very possibility of autobiographical expression is questioned. In the first book-length study in English to address this phenomenon, Claire Boyle sheds a new light on this hostility toward autobiography through a series of ground-breaking studies of estrangement in autobiographical works by major post-war authors Nathalie Sarraute, Georges Perec, Jean Genet and Hlne Cixous. She identifies autobiography as a site of conflict between writer and reader, as authors struggle to assert the unknowableness of their identity in the face of a readership resolutely desiring privileged knowledge. Autobiography emerges as a deeply troubling genre for authors, with the reader as an antagonistic consumer of the autobiographical self.
Directory of Publishing 2012
Comprehensive trade directory of the UK publishing industry and allied book trade suppliers, associations and services.
Singing Poets
This book shows how the model of singing poets becomes then an organizing principle for a system of national popular music. It responds to the growing call for the teaching of the textual networks of popular music within the domains of literary and cultural studies.
Men of Their Words
Whereas the centrality of femininity to nineteenth-century French fiction has been the focus of widespread critical attention, masculinity has, until recently, received little sustained treatment in either the literary or socio-historical domains. In this book, Nigel Harkness uses the fiction of George Sand (1804-1876), the pre-eminent woman writer of the period, to explore questions of masculinity as they pertain to the nineteenth-century French novel, and to map out new approaches to the study of literary masculinity. Drawing on contemporary theories of gender and narrative, Harkness reveals how Sands novels repeatedly focus on a nexus of language, masculinity and power, in which narrative...
The Cervantean Heritage
"The contributors to this volume now offer a comprehensive and innovative picture of this reception history, discussing the English translations of Cervantes's works, the literary genres which developed in his shadow, and the best-known authors who consciously emulated him. Cervantes emerges as perhaps the greatest outside influence on English literature since the Renaissance." --Book Jacket.
English Houses 1300-1800
Houses are more than a shelter from the elements: they also offer an unparalleled insight into the beliefs, ideas and experiences of the people who built and lived in them. In this engaging book, Matthew Johnson looks at the traditional houses that still exist throughout the English countryside and examines the lives of the ordinary people who once occupied them. His wide-ranging narrative takes in the medieval hall and the community it framed; the rebuilding and 'improvement'of houses in the sixteenth and seventeenth centuries; and the rise of the Georgian Order in both architecture and eighteenth century culture. This passionate book is animated by the conviction that old houses are much m...
