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The Dangers of Interpretation
First published in 1996. This comparative study investigates thematic and technical similarities in the works of the two authors who shared a cultural heritage and achieved comparable status in their separate literary traditions. Drawing upon theories by Bloom, Bakhtin, and Lacan, the book examines ways in which Henry James and Thomas Mann treat the creative artist and analyze the creative and interpretive processes in their fiction. The texts covered range from early works to their great modern novels: The GoldenBowland Doctor Faustus To a great extent, the similarities between the works stem from the authors' preoccupation with artistic responsibility. Adopting Bloom's claim that the creative activity is an interpretive one, and that the reader, as well as the writer, interprets a text into being the book also investigates the reader's responsibility in confronting the dilemmas challenging James' and Mann's artist figures. Such challenges are "the dangers of interpretation" discussed in this book. Index. Bibliography.
Jung in Contexts
This is a unique collection of the most important essays on Jung and analytical psychology over the past two decades. The essays place Jung, the man and his work, in three important contexts: historical, literary and intellectual.
The Leopard's Spots
This book refutes three traditional hypotheses which have dominated Old Testament scholarship this century: the claim that there were schools in ancient Israel; that in these schools a professional class of 'wise men' taught; and that their teaching consisted of the moral standards of the civil service.Professor Golka disputes the claim of Old Testament scholarship that biblical proverbs were literary works of art, much influenced by the civilisations of Egypt and Mesopotamia. By comparing biblical proverbs to those of tribal societies of Africa, he concludes that the proverbs of the Hebrew Bible derive from a tribal society - that of the Israel of the period of the Judges.In this ground-breaking work, Friedemann Golka reveals the extent to which the sources and results of social anthropology can be used in Old Testament scholarship to make significant new findings.
A Companion to the Works of Thomas Mann
Thomas Mann is among the greatest of German prose writers, and was the first German novelist to reach a wide English-speaking readership since Goethe. Novels such as Buddenbrooks, The Magic Mountain, and Doktor Faustus attest to his mastery of subtle, distanced irony, while novellas such as Death in Venice reveal him at the height of his mastery of language. In addition to fresh insights about these best-known works of Mann, this volume treats less-often-discussed works such as Joseph and His Brothers, Lotte in Weimar, and Felix Krull, as well as his political writings and essays. Mann himself was a paradox: his role as family-father was both refuge and façade; his love of Germany was match...
Traumatic Encounters
Traumatic Encounters argues for an alternative memorial path in Holocaust and cultural studies—one that shows the vital necessity of thinking in a universal way about an event like the Holocaust. Relying on Hegel's notion that the particular is already universal, Eisenstein shows how the encounter with trauma transpires not in the refusal of a universalizing gesture but rather in its wholesale embrace. This embrace results in a recognition involving the trauma that conditions the possibility of history in the first place—a structural trauma immune to historicization that Hegel and psychoanalysis place at the heart of subjectivity and community. This encounter with structural trauma is at the center of four titles that Eisenstein examines: Spielberg's Schindler's List, D. M. Thomas's The White Hotel, Thomas Mann's Doctor Faustus, and David Grossman's See Under: Love
Being and Meaning in Thomas Mann's Joseph Novels
The premise of this book is that the theme of being and meaning in Thomas Mann's novel tetralogy Joseph und seine Bruder unites the novel's stylistic and thematic structure. The author demonstrates persuasively how these leading ideas are worked out in detail, pervading plot-structure, symbolism, characterization and narration. Through a subtle series of analyses - of the concepts of time and identity underlying the novel, its image-patterns, the changing psychology of its characters, above all Joseph's process of individuation and the narrator's changing behaviour - patterns of overlap and discrepancy between being and meaning are brought out in such a way as to unite many parts of the novel into an overall coherent structure of meaning. The analysis makes use of Jungian theory to explain the mythical dimension and the emergence of consciousness from it. Jungian concepts are applied deftly and offer real insights into the early psychology of myth and its late psychologizing by mythologists, as presented in the novels. There is much fresh thinking here to stimulate a fuller understanding and enjoyment of Mann's representing of the biblical Joseph story.
Interbellum Literature
In Interbellum Literature historian Cor Hermans presents a panorama of modernist writing in the ominous period 1918-1940. The book offers, in full scope, an engaging synthesis of the most stimulating ideas and tendencies in the novels and plays of a wide circle of writers from France (Proust, Gide, Camus, Céline, Tzara, Aragon, Simone Weil), England and Ireland (Virginia Woolf, Orwell, Joyce, Beckett), the USA (Scott Fitzgerald, Arthur Miller, O’Neill, Hemingway), Austria-Hungary (Musil, Broch, Kafka, Zweig, Roth), and Germany (Hesse, Jünger, Böll, Thomas Mann). Caught between world wars, they nevertheless succeeded in creating some of the best literature ever. They created a philosophy as well, rejecting bourgeois ‘mechanical’ society, designing escape routes from the nihilism of the times.
The Long Life
The Long Life invites the reader to range widely from the writings of Plato through to recent philosophical work by Derek Parfit, Bernard Williams, and others, and from Shakespeare's King Lear through works by Thomas Mann, Balzac, Dickens, Beckett, Stevie Smith, Philip Larkin, to more recent writing by Saul Bellow, Philip Roth, and J. M. Coetzee. Helen Small argues that if we want to understand old age, we have to think more fundamentally about what it means to be a person, to have a life, to have (or lead) a good life, to be part of a just society. What did Plato mean when he suggested that old age was the best place from which to practice philosophy - or Thomas Mann when he defined old age...
Reading Freud's Reading
Specialists from a wide range of areas - from the history of medicine, to literary scholarship, to the history of classical scholarship - spent two months working on questions raised by Freud's reading and his library at the Freud Museum in London. Such internationally renowned scholars as Harold P. Blum, Ned Lukacher, Phillip McCaffrey, Robin N. Mitchell-Boyask, Michael Molnar, Ursula Reidel-Schrewe, Ritchie Robertson, and Peter L. Rudnytsky gather here to apply a wide range of critical approaches, from depth psychoanalysis to cultural analysis. Together, they present a detailed look at the implications of how and what Freud read, including the major sources he used for his work.
Art and Its Uses in Thomas Mann's Felix Krull
Thomas Mann's Felix Krull, written between 1910-13 and continued (though never completed) in 1951-54, uses contemporary accounts of these figures as a starting-point from which to explore the aesthetics of society. The early Krull marks an important stage in Mann's development in a number of respects.In writing it, Mann acquired a more flexible conception of identity and a new understanding of the relation between artist and public. Krull also signals a deeper engagement with Goethe and a shift in Mann's work towards a more open treatment of sexuality. The novel presents art as being central to the development of the individual and to social interaction. While Krull is nominally a confidence man, he is more of a performance artist, a purveyor of beauty who relies upon the complicity of his audience. The later Krull takes up where Mann left off and continues the justification of art as an essential human activity. This study draws upon unpublished material in order to provide a comprehensive reading of Felix Krull. It examines the novel within the context of Mann's work as a whole, and, in doing so, it seeks to demonstrate the remarkable continuity of Mann's creative achievement.
