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Germany's landmark 1998 election saw for the first time in the Republic's fifty-year historyan incumbent Chancellor and his entire government replaced. In this collection fourteen distinguished scholars, from both sides of the Atlantic, have come together to give the first detailed scholarly account of this historic event. From a variety of perspectives the essays, based on in-depth interviews, explore the election candidates, parties, and issues, and places them within the context of the Federal Republic's history, the end of the Bonn Republic and the beginning of the Berlin Republic. Special chapters focus on the growing importance of women inelectoral politics, voting behavior and the influence of the media, and the significance of the election for the European Union. Based on in-depth interviews with political leaders and extensive field research this book is ideally suited for specialists in German and European politics and the interested reader who wants far more depth of coverage than the main stream media can provide.
Once tainted by association with Hitler and Nazism, Richard Wagner's work has experienced an international cultural renaissance in the last 25 years. His magnum opus, Der Ring des Nibelungen, which took him over 20 years to finish, is a complex tale with themes of greed, corruption and loss, spun out in more than 16 hours of powerfully moving opera. This book, with provocative essays for both the uninitiated and the seasoned fan, examines Wagner's Ring cycle from a wide array of modern perspectives. Divided into six parts, this anthology first offers a foundation for the Ring, with a chronology and an introduction, along with a look at Wagner as an enterprising marketer. Part Two explores di...
Homicide represents the result of an exhaustive search of the world literature regarding homicide. More than 7,000 entries have been compiled from references selected from major indexes in libraries from outstanding universities, government agencies, and military posts; science libraries; law libraries; and the Library of Congress. Each entry features a one- or two-word annotation that indicates whether it is an article or a book, and all entries conform to the American Psychological Association stylebook guidelines. Key-word and author indexes provide quick access to works pertaining to particular subjects or by a certain author.
The most controversial musical figure of the 19th century, Richard Wagner was a great literary, philosophical, and political activist. Drawing from contemporary scholarship, this biography provides different insights into his life and works.
During the summer of 2010 Ghana played host to the first ever conference held within Africa to focus solely on the relationship of the African Christian and Islam. The event was led by John Azumah in partnership with the Center of Early African Theology. The conference, chaired by Archbishop John Olorunfemi Onaiyekan of Abuja welcomed over 50 participants from across 27 African countries and several denominations. This book is a collection of the papers presented by 22 of the delegates forming a historical survey and thematic assessment of the African Christian and Islam. In addition, key information on the introduction, spread and engagement of Islam and Christianity within 9 African countries is presented. The book closes with Biblical reflections that opened each day of the conference, providing useful examples of Christians reading the Bible in reference to Islam.
This book focuses on American opera singers and what their recordings say about their artistry. It is not a book about all American opera singers, since many who had important careers on stage, made few, if any, recordings. And many of those who did make recordings, did so prior to the introduction of electrical recording in 1925 (and the resulting advances in the reproduction of the human voice). Opera enthusiasts can only imagine the sound of Farinelli's voice or read what his contemporaries have written about it, but with almost any famous or near-famous singer of recent years, enthusiasts do not have to imagine. Their voices are available through the technology of sound recording. There are 53 entries, one each for 52 singers and a composite entry for a group of Hollywood vocalists. Each entry contains biographical information and is followed by a discography of operatic recordings to be used in conjunction with the critical commentaries. The entries are in alphabetical order by the singer's last name and provide critical analyses of key recordings and of the artists' gifts and limitations.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
It has been said that new discoveries and developments in the human, social, and natural sciences hang "in the air" (Bowler, 1983; 2008) prior to their consummation. While neo-Darwinist biology has been powerfully served by its mechanistic metaphysic and a reductionist methodology in which living organisms are considered machines, many of the chapters in this volume place this paradigm into question. Pairing scientists and philosophers together, this volume explores what might be termed "the New Frontiers" of biology, namely contemporary areas of research that appear to call an updating, a supplementation, or a relaxation of some of the main tenets of the Modern Synthesis. Such areas of investigation include: Emergence Theory, Systems Biology, Biosemiotics, Homeostasis, Symbiogenesis, Niche Construction, the Theory of Organic Selection (also known as "the Baldwin Effect"), Self-Organization and Teleodynamics, as well as Epigenetics. Most of the chapters in this book offer critical reflections on the neo-Darwinist outlook and work to promote a novel synthesis that is open to a greater degree of inclusivity as well as to a more holistic orientation in the biological sciences.
This book is a comprehensive filmography of biographical films featuring the lives of 65 great classical composers. Performances analyzed include Richard Burton as Richard Wagner, Cornel Wilde as Frederic Chopin, Gary Oldman as Ludwig van Beethoven, Tom Hulce as Mozart, and Katharine Hepburn as Clara Schumann, among others. Arranged alphabetically by composer's name and illustrated1with stills and posters, the text provides a brief biography of each composer and analyzes the feature films portraying him or her. Emphasis is given to the factual accuracy of the screenplay, the validity of the portrayal, and the film's presentation of the composer's music.
In Wagner’s Theatre, Patrick Carnegy presents the turbulent story of Wagner and his interpreters over the course of the twentieth century. Carnegy gives vivid accounts of Gustav Mahler's radical reinvention of the Wagnerian stage, and of the post-war rehabilitation of Wagner and his work after Hitler's appropriation. He also offers sharply written reappraisals of those great Wagnerian conductors Klemperer, Toscanini, Karajan and Solti. Carnegy provides revealing accounts of the inside-workings of the Royal Opera House and of English National Opera at troubled points in their recent history. In a fascinating conversation with Sir Michael Tippett, the composer talks with unique authority about the problems facing would-be musical dramatists today. Wagner’s Theatre is an essential insight into how interpretations of Wagner have developed, and how we can respond to them.