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Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers." In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his ...
This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc
Le recensement de près de 600 collections avec, pour chacune d'entre elles : son adresse, ses modalités d'accès, les domaines couverts, la date de fondation, l'informatisation, ainsi que les réseaux et les personnes à contacter. « Copyright Electre »
Si les noms et les accomplissements d'artistes illustres comme Hyacinthe Rigaud, Nicolas de Largillierre, Pierre Drevet, François Boucher, Jean-Marc Nattier, Jean-Baptiste Greuze, Jean-Honoré Fragonard, Carte et Jean-Baptiste Van Loo, Alexandre Roslin, Joseph Vernet, Jean-Antoine Houdon, Jean-Baptiste Pigalle ou Jean-Antoine Watteau sont connus et reconnus, leurs visages, le plus souvent, ne le sont pas. Pour la première fois dans un même ouvrage, les effigies de plus d'une centaine de maîtres français (et étrangers ayant exercé en France) de la peinture, de la sculpture et de la gravure du XVIIIe siècle sont réunies en une vaste galerie de portraits. Tout en retraçant l'histoire de la représentation du visage humain dans l'art au siècle des Lumières, l'auteur invite le lecteur à entrer plus avant dans l'intimité des artistes qui s'offrent au regard. Reflet d'une époque exubérante et raffinée, ces portraits et autoportraits restituent tout à la fois l'image de personnalités emblématiques du monde des arts et le charme vivace d'un siècle retrouvé
Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history.
"...This guide should greatly assist public & academic librarians & their users."--JOURNAL OF ACADEMIC LIBRARIANSHIP. "...MUSEUMS OF THE WORLD is an essential tool..."--AMERICAN REFERENCE BOOKS ANNUAL. Completely updated with information supplied by administrators & staff, this edition of MUSEUMS OF THE WORLD provides valuable research & professional information for some 24,000 museums worldwide. Organized by country & city within individual nations, entries include address...telephone & fax numbers...description of holdings & facilities...museum director's name...& more. The latest edition of this indispensable resource also includes three indexes--Name Index for museums, Name Index for persons, & a Subject Index--to make searching easier. The Subject Index is especially comprehensive & offers 250 cross-referenced headings for such diverse areas as Aeronautics, Arms & Armor, Graphic Arts, Indian Artifacts, Jewelry, Painted & Stained Glass, & Railroads.
L'ouvrage est un essai sur la nature de la surface picturale. Peintre et professeure d'art plastique, l'auteure évoque les ambiguïtés et les tensions inhérentes au tableau, qui se présente à la fois comme un passage et une cloison, entre profondeur et superficialité, épiderme et vision intérieure, fond et forme.
Ecotopia, brings readers the natural world through the eyes and lenses of some of the most interesting and engaging photographers working today. These 30 international artists shatter stereotypes of landscape and nature imagery to examine new concepts of the natural sphere occasioned by twenty-first-century technologies.
This book contains several variations of indigenous words and contains and describes aboriginal arts and artists.