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Manuel Ortiz urges us not just to put aside our differences but to celebrate and embrace them--to use them in a way that draws us closer to each other and closer to God.
This edited volume engages a long-standing religious power, the Holy See, to discuss the impact of the structural and postsecular transformations of international relations through the emergence of a global and digital public sphere. Despite the legal construction that enables the separation of the Holy See as a distinct legal entity, it is also an instrument for the papacy to represent externally and regulate internally the global and transnational Catholic Church. The Holy See is also the tool that enables the papacy to address a transnational or a global public beyond Catholic adherence – most prominently through journeys that are often at the same time state visits and pastoral journeys. Instead of understanding these hybrid roles as an irregular exemption, the contributions of the book argue that the Holy See should be seen as a certainly special but nevertheless quite normal actor of international and public diplomacy.
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In this book Harvie M. Conn and Manuel Ortiz address the vital work of the urban church as they trace the history of the city around the world, examine the biblical basis for urban mission, unpack the multifaceted identity of the city and discuss particular issues and needs of urban leadership.
In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually fou...
For millennia friendships have framed the most intimate and public contours of our everyday lives. In this book, Ignacio Martínez tells the multilayered story of how the ideals, logic, rhetoric, and emotions of friendship helped structure an early yet remarkably nuanced, fragile, and sporadic form of civil society (societas civilis) at the furthest edges of the Spanish Empire. Spaniards living in the isolated borderlands region of colonial Sonora were keen to develop an ideologically relevant and socially acceptable form of friendship with Indigenous people that could act as a functional substitute for civil law and governance, thereby regulating Native behavior. But as frontier society gre...