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Purity Is a Myth
Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America. Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America. ...
Interprofessional Approaches for the Management of Chronic Diseases
Chronic diseases represent the leading causes of death and disability worldwide, with a subsequent enormous socioeconomic burden. The clinical management of these conditions often requires a multidisciplinary approach to treat the complex symptoms related to the disease and the associated problems. Different healthcare systems have been experimenting with interprofessional collaboration to enhance professional effectiveness and quality of practice among professionals, in an environment often constrained by resources. The optimum use of resources is made possible by interprofessional collaboration, which is described as an integrative cooperation of many health professions in different health...
A Guide to Jewish References in the Mexican Colonial Era, 1521-1821
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Reasons and Intentions in Law and Practical Agency
A collection of new essays on the interplay between intentions and practical reasons in law and practical agency.
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Buñuel, 100 años
Luis Bunuel was one of the true creators of the modern cinema. He made over 30 films, working in France, Republican Spain, the United States (at the Museum of Modern Art, New York, and in Hollywood), and Mexico, where he died in 1983. Bunuel's films are both subtle and shocking, as deceptively simple as they are rich in incident and striking in the power of their imagery. Inflected by Surrealism, informed by realism, and mediated by the logic of dreams, Bunuel's cinema is astonishingly singular. This book, originally published in Spanish and French, is now presented in a bilingual Spanish/English edition. Illustrations include documentary photographs as well as over 350 film stills, many in color, from works ranging from his first, shocking Surrealist collaboration with Salvador Dali, Un Chien Andalou (1929), to Belle de Jour (1966), The Discrete Charm of the Bourgeoisie (1972), and That Obscure Object of Desire (1977). Including the most thorough chronology, filmography, and bibliography available, this is the ultimate book on Bunuel.
Los Olvidados
Los Olvidados (1950) established Luis Bunuel's reputation as a world-class director. Set in the slums of Mexico City, it follows the crime-filled and violent lives of group of juvenile delinquents. The film exhibits some of Bunuel's recognisable themes of love's yearnings, social injustice, and surrealism, but with a layer of compassion that sets it apart from many of his other films. In 2003, 'Los Olvidados' was inducted into UNESCO's Memory of the World programme, which preserves documentary heritage of world significance. Mark Polizzotti explores the historical context, aesthetic importance and biographical significance of the film, providing the first complete overview of 'Los Olvidados'...
