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This edited volume integrates a remarkable body of new data representing current issues and methodologies in the archaeology of hilltop sites, known as cerros de trincheras, in the southwestern United States and northwestern Mexico.
When it acquired New Mexico and Arizona, the United States inherited the territory of a people who had been a thorn in side of Mexico since 1821 and Spain before that. Known collectively as Apaches, these Indians lived in diverse, widely scattered groups with many names—Mescaleros, Chiricahuas, and Jicarillas, to name but three. Much has been written about them and their leaders, such as Geronimo, Juh, Nana, Victorio, and Mangas Coloradas, but no one wrote extensively about the greatest leader of them all: Cochise. Now, however, Edwin R. Sweeney has remedied this deficiency with his definitive biography. Cochise, a Chiricahua, was said to be the most resourceful, most brutal, most feared A...
The first full-length life of the Apache warrior-leader, Mangas Coloradas, describes his outstanding qualities, the Apache culture in which he rose to power, and the battles against white and Mexican settlements in New Mexico that made him widely feared. UP.
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A key to the interpretation of rock art of the American Southwest, providing descriptions and illustrations of rock art symbols, along with their ascribed meanings, and including general and specific information on rock art sites.
Traces the development over the past hundred years of the urban working class in northern Sonora. Drawing on an extensive collection of life histories, Heyman describes what has happened to families over several generations as people left the countryside to work for American-owned companies in northern Sonora or to cross the border to find other employment.
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"Postcards from the Sonora Border: Visualizing Place through a Popular Lens, 1900s-1950s examines the urban landscapes of Mexican border cities through picture postcards. This volume aims to capture the evolution of Sonora border towns over time, and create a sense of visual "time travel" for the reader by relying on Arreola's personal collection of postcards"--Provided by publisher.