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Financial Management
Learn the key financial management skills needed to lead a medical practice. After reading this book, you'll understand the concepts, tasks, and terminology to ensure success in medical group practice management. The text covers: Translating medical practice objectives into financial assumptions to aid planning, Compiling, interpreting, and communicating financial information to physicians/shareholders and staff for education and decision making, Developing requests for proposals (RFPs), analyzing and negotiating/renegotiating contract terms favorable to the practice, Calculating business ratios and benchmarks, Analyzing the relationship of fees to coding/diagnosis for appropriate reimbursement.
Risk Management
Grasp the foundational knowledge on risk management related to the practice with this book - part of the Medical Practice Management Body of Knowledge Review Series. It provides a review of the basic skills needed in medical practice, focusing on risk and compliance of the practice, and highlighting key concepts, tasks, terminology, regulations and resources.
Physician Compensation Plans
Navigating the maze of methods by which income for physicians is determined and paid in a wide variety of health care organizations, this step-by-step guide covers plan development and information on pay-for-performance programs, implementation methods, and more.
Operating Policies and Procedures Manual for Medical Practices
This popular bestseller is an easy-to-use manual complete with customizable medical office policies. Covering more than 100 of todays most pressing events, this manual helps practice administrators and managers set procedures and policies for managing operational, financial, and risk issues, as well as personnel, disaster planning, and exposure control.
The Oxford Handbook of Contemporary Ballet
"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, c...
From Masai Mara to Da Nang
In this book, I present a number of often-exciting and sometimes very unusual experiences I have had while visiting, living, and/or working in several foreign countries over a thirty-year period from 1967 until 1997. Contained in this volume, one of three, I have selected thirty of the over two hundred stories I wrote during my working career while traveling to and from overseas assignments. The stories detail actual events and conditions that include surviving a Peace Corps experience in the savannah area in Kenya in the 1960s, working in the swamps and jungles of Indonesia, the rain forests of Brazil, the desert and delta of Egypt, and the varied terrain in Pakistan, and inspecting the irrigation facilities of the war-torn country of Vietnam eighteen years after the war with the United States ended.
History of Meat Alternatives (965 CE to 2014)
The world's most comprehensive, well documented and well illustrated book on this subject. With extensive index. 435 color photographs and illustrations. Free of charge in digital PDF format on Google Books.
Platonic Drama and Its Ancient Reception
As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy (fourth century BC) to a mosaic of Sokrates in Mytilene (fourth century AD), which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences.
