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This book dispels myths surrounding the newspaper industry’s financial viability in an online world, arguing that widespread predictions of pending newspaper extinction are based mostly on misunderstandings of the industry’s operations. Drawing from his training as a business journalist, Marc Edge undertakes a thorough analysis of annual financial statements provided by newspaper companies themselves to explain the industry’s arcane economics. This book contextualizes available data within the historical context in which various news publishers operate and outlines the economic history of UK newspapers. It also investigates how UK newspapers survived the 2008–09 recession, considering both national and provincial markets separately. A rigorous look at an often-neglected aspect of the newspaper industry, this volume will be an essential read for scholars of media studies, journalism studies, and communication studies, especially those interested in studying journalism and news production as occupational identities.
Literary Nonfiction. THE NEWS WE DESERVE: THE TRANSFORMATION OF CANADA'S MEDIA LANDSCAPE documents the most under-reported story in Canadian news: the behind- the-scenes takeovers, mergers, share swaps, regulatory maneuvers, and private ambitions that have reshaped the content and business models of today's print and online newspapers to privilege corporate profits and political influence over the goal of informing citizens. A generation of laissez-faire government attitudes towards media ownership smoothed the way for the stealthy transformation of Canada's mainstream press from its old ideal as fearless expositor of truth, as epitomized by Woodward and Bernstein, to a partisan, activist press that openly advocates certain outcomes.
New from Marc Edge, author of Asper Nation, Greatly Exaggerated, and THE NEWS WE DESERVE. Even as their readers move onñline and their advertisers look elsewhere, daily newspapers continue to be our main source of information, shaping citizens' understanding of the world, and their reactions to events. At the same time, continuing a longñterm trend in media ownership, newsrooms have been gutted as new owners prioritize doubleñdigit profit margins. Dwindling reporting staff is able to do less and less actual reporting, as they become more and more reliant on official releases and carefully tailored public relations handouts. In THE POSTMEDIA EFFECT, Marc Edge takes Canada's dominant newspaper chain, Postmedia, as a case study laying bare the changes in news economics that over the past two generations have hollowed out the nation's newsrooms, undermining not just citizens' trust in what is reported to them, but the very foundations of a democracy steered by an informed electorate. Literary Nonfiction.
Building on a rich journalistic tradition of critical source analysis, this book considers the impact of the move from analogue to digital sources on information quality and presents methods and tools to verify information found online and help counter the spread of misinformation. Evaluating Digital Sources in Journalism critically maps the prevalence of online manipulation, particularly images and videos from social media platforms, and considers the tools needed both to carry out and to counter this. Strategies are proposed to help readers evaluate content, context and sources, and ultimately build a foundation for carrying out their own online open-source investigations. The author brings together theories and best practices from a broad range of literature, including modern Scandinavian research on the concept of “source criticism”, journalism and technology studies, advanced forensic verification research, and literature designed for practitioners, including blogs and industry publications. Evaluating Digital Sources in Journalism is recommended reading for advanced journalism students and journalism practitioners.
Convergence has become a buzzword, referring on the one hand to the integration between computers, television, and mobile devices or between print, broadcast, and online media and on the other hand, the ownership of multiple content or distribution channels in media and communications. Yet while convergence among communications companies has been the major trend in the neoliberal era, the splintering of companies, de-convergence, is now gaining momentum in the communications market. As the first comprehensive attempt to analyze the wave of de-convergence of the global media system in the context of globalization, this book makes sense of those transitions by looking at global trends and how global media firms have changed and developed their business paradigm from convergence to de-convergence. Jin traces the complex relationship between media industries, culture, and globalization by exploring it in a transitional yet contextually grounded framework, employing a political economic analysis integrating empirical data analysis.
For the Palestinians who live in the narrow coastal strip of Gaza, the Israeli invasion of December 2008 was a nightmare of unimaginable proportions: In the 22-day-long action 1,400 Gazans were killed, several hundred on the first day alone. And yet, while nothing should diminish Palestinian suffering through those frightful days, it is possible something redemptive is emerging from the tragedy of Gaza. For, as Norman Finkelstein details, in a concise work that melds cold anger with cool analysis, the profound injustice of the Israeli assault was widely recognized by bodies that it is impossible to brand as partial or extremist. Amnesty International, Human Rights Watch, and the UN investiga...
This book offers a deep and comprehensive overview of constructive journalism, setting out the guiding principles and practices for a journalism that aims to do more than simply inform about problems. In this authoritative yet concise volume, Peter Bro asks what does constructive journalism mean, what are the underlying principles, how is it practiced, and in what ways does it differ from other types of journalism? Drawing on studies of the rapidly growing number of works by both journalism practitioners and researchers, the book reaches beyond these questions to show how the notion of being constructive has been a part of journalism from the very beginning of the profession. This introduction to what constructive journalism is and was and what it can accomplish will guide new journalists; journalism, media, and mass communication students; and scholars working on journalistic theory and practice.
Global Journalism Collaborations offers guidance on detailed ways to create collaborative international projects in the communications and journalism fields – a hot topic in higher education. The chapters are contributed by professors and journalists from around the world. The authors explain, step-by-step, the process of collaborating with students and instructors at universities in dozens of countries in order to produce digital storytelling projects that are streamed worldwide. The book will inspire academics and students in any discipline to develop and create their own collaborative projects by sharing lessons learned through case studies of successful global collaborations. This truly interdisciplinary work will interest scholars and instructors of journalism, media studies, mass communication, higher education and anyone working on collaborative projects across a variety of disciplines.
This book discusses undercover reporting, betrayal and deception in journalism, addressing the ethical issues encountered by professionals when deception is involved and providing an explanation of how high-profile cases have developed. Carson and Muller begin by examining how philosophical theories which form the basis of contemporary ethical codes for journalists, bear upon undercover reporting and questions of deception in the digital age. Drawing upon case studies such as Al Jazeera’s undercover operation against the National Rifle Association in the US and the One Nation political party in Australia, and Britain’s Channel 4 infiltration of Cambridge Analytica, this book goes on to define and discuss the ethical concepts behind deception and betrayal and lays out an original ethical framework for undercover journalists facing related challenges in their work. Undercover Reporting, Deception, and Betrayal in Journalism is an important research text for students and academics in journalism and media studies.
The untold history of an American catastrophe The ultrawealthy largely own and guide the newspaper system in the United States. Through entities like hedge funds and private equity firms, this investor class continues to dismantle the one institution meant to give voice to average citizens in a democracy. Margot Susca reveals the little-known history of how private investment took over the newspaper industry. Drawing on a political economy of media, Susca’s analysis uses in-depth interviews and documentary evidence to examine issues surrounding ownership and power. Susca also traces the scorched-earth policies of layoffs, debt, cash-outs, and wholesale newspaper closings left behind by private investors and the effects of the devastation on the future of news and information. Throughout, Susca reveals an industry rocked less by external forces like lost ad revenue and more by ownership and management obsessed with profit and beholden to private fund interests that feel no responsibility toward journalism or the public it is meant to serve.