Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Marcel Broodthaers
Marcel Broodthaers's (Belgian, 1924-1976) extraordinary output across mediums placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussels, eggshells, and books of his own poetry; to his most ambitious project, the Musée d'Art Moderne. Département des Aigles; and the Décors made at the end of his life, Broodthaers occupied a unique position, often operating as both innovator and commentator. Setting a precedent for what we call installation art today, his work has had a profound influence on a broad range of contemporary artists, and he remains vitally relevant to cultural d...
Marcel Broodthaers
None
Marcel Broodthaers
"I, too, asked myself if I could not sell something and succeed in life... Finally the idea of inventing something insincere came to me and I got to work immediately." With this statement, penned for his first solo show in April, 1964, Marcel Broodthaers (1924-1976) announced his death as a poet and birth as an artist. In fact, he was to transform the category of artist completely, purging the vocation of its medium-specific implications to pursue a unified conceptualism across media such as artist's books, prints, film, installation, sculpture and writings--" where the world of plastic arts and the world of poetry might possibly, I wouldn't say meet, but at the very frontier where they part...
Marcel Broodthaers: Industrial Poems
The first complete catalog of Broodthaers' rebus-like poetical plaques Industrially fabricated as vacuum-formed plastic plaques, the Industrial Poemsof Marcel Broodthaers (1924-76) express the enduring fruitfulness of poetry as a paradigm in the poet-turned-artist's witty, language-oriented brand of conceptualism. These works draw on the popular visual language of commercial signage, incorporating symbols, images, letters, words and punctuation that often refer to earlier poems and artworks. As mass-manufactured signs produced in a popular material such as plastic, the Industrial Poemspartake of a visual and material clarity that belies the strongly enigmatic character of their associative semantic functioning. This 400-page volume compiles for the first time a comprehensive inventory of all the Industrial Poems. These are supplemented by a selection of Broodthaers' own writings and his "open letters," along with essays that situate the Industrial Poemsin relation to each other and the artist's oeuvre generally.
Marcel Broodthaers
The poet and artist Marcel Broodthaers (1924-76) is widely recognized as a key figure in 20th century art who questioned the nature of art, the role of the artist, the functioning of the museum and of the art market. This book sets out Broodthaers's strategy for artistic success and examines the dialogue into which he entered with his contemporaries and predecessors in 19th century French poetry, Pop and Conceptual Art, including Stéphane Mallarmé, Charles Baudelaire, Marcel Duchamp and René Magritte. It provides a broad overview of his objects, paintings, films, slides, books and installations, and his focus upon relationships, also central to Post-Structuralist and postmodern theories. ...
Marcel Broodthaers
A survey of the photographs Broodthaers took in the period 1957-1974 with texts of Broodthaers in French and it's translation in German and contributions in German and French by Gilissen, Susanne Lange and Claudia Schubert; published on the occasion of the exhibition with the same title in the Photographische Sammlung / SK Stiftung Kultur, Cologne, Germany.
The Absence of Work
A provocative investigation of Marcel Broodthaers's work as a reflection on the uses and abuses of language.
La conquête de l'espace
Measuring just 2.5 x 4 cm with a simple black slipcase, The Conquest of Space. Atlas for the Use of Artists and the Military is an artist's book by Marcel Broodthaers originally published in 1975 in an edition of fifty numbered copies. As Broodthaers's last book, created shortly before his death in 1976, it embodies the artist's sardonic sense of humor with its plays on language and function - the title references the historic use of atlases by militaries for territorial conquests, but printed at such a miniature scale, it is unusable for its intended function. Furthering the level of intrigue with the book, Broodthaers did not follow established geographical organization, choosing rather to present only a small selection of countries organized in alphabetical order and graphically represented in identical size. This facsimile edition, published by The Museum of Modern Art, makes the artist's book available again for the first time since the original printing in 1975 in a limited edition of 500 copies.
Marcel Broodthaers
None
Marcel Broodthaers
A box, produced in a limited edition, reunites five books stemming from a program of site-specific commissions for BSI Art Collection, Lugano in Italy. Four volumes are conceived as individual monographs on each artist's contribution. Gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. the fifth book all Around all Background describes the agenda of the commissions of the site-specific works and the intensions of the BSI Art Collection program and includes a DVD with artists and commissioner's interviews. Contents (5 volumes):Robert Barry: Real...Personal; Liam Gillick: Woven / Intersected / Revised; John Armleder: PFCBCDRRSRGBMNF PCLSPSBMPFCBS; Daniel Buren: Prospettive; all Around all Background (+ DVD). English and Italian text.
