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Benjamin Tilghman has been a leading commentator on analytic philosophy for many years. This book brings together his most significant and influential work on aesthetics. Spanning a period of thirty years and covering topics in aesthetics from literature to painting, the collection traces the development of Tilghman's two principal themes; a rejection of philosophical theory as a way of resolving problems about our understanding and appreciation of art and the importance of the representation and presentation of the human and human concerns in art. Tilghman is profoundly influenced by the philosophy of Ludwig Wittgenstein and his work is informed throughout by his conception and practice of philosophy. Written with exceptional clarity and with many references to original work in both painting and literature, this collection will be an invaluable resource not only for professional philosophers but for those working in the arts generally, art historians, critics and literary theorists.
An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.
A biography of Pamela Churchill Harriman, based on over 800 interviews and archival research, charting her life from marriage to Churchill’s son, Randolph, through two further marriages to her eventual appointment as US Ambassador to France.
What is the connection between anthropology, philosophy, and geography? How does one locate the connection? Can a juncture between these disciplines also accommodate history, sociology and other applied and theoretical forms of knowledge? In Earth Ways: Framing Geographical Meanings, editors Gary Backhaus and John Murungi challenge their contributors to find the location that would enable them to bridge their "home disciplines" to philosophical and geographical thought. This represents no easy task. Essayists are charged with building a set of conceptual bridges and what emerges is a unique co-joined topography; sets of ideas united by a painstaking and rigorous interdisciplinary framework. Earth Ways is a salient rendering of interdisciplinary thought in contemporary humanities and social sciences scholarship.
This book, first published in 2001, presents a portrait of Jean Sibelius as composer and man, a figure of national and international significance, patriot, husband and father. Three introductory articles explore Sibelius's reception in Finland, performance practice and recording history, and Sibelius's aesthetic position with regard to modernity. The second group of essays examines issues of ideology, sexuality and mythology, and their relationship to musical structure and compositional genesis. Studies of the Second, Fourth, Sixth, and Seventh Symphonies are presented in the concluding section. Collectively, these articles address historical, theoretical and analytical issues in Sibelius's most important works. The analyses are supported by investigations of Sibelius's compositional process as documented by the manuscripts and sketches primarily in the Sibelius Collection of the Helsinki University Library. Exploring Sibelius's innovative approach to tonality, form and texture, the book delineates his unique brand of modernism, which has proven highly influential in the late twentieth century.
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
The Pataphysician’s Library is a study of aspects of 1890s French literature, with specific reference to the traditions of Symbolism and Decadence. Its main focus is Alfred Jarry, who has proved, perhaps surprisingly, to be one of the more durable fin-de-siècle authors. The originality of this study lies in its use of the enigmatic list of books termed the livres pairs, which appears in Jarry’s 1898 novel Gestes et Opinions du docteur Faustroll, pataphysicien, his best-known prose work. The greatest interest of the livres pairs lies in a group of works by Jarry’s friends and contemporaries, primarily Leon Bloy, Georges Darien, Gustave Kahn, Catulle Mendes, Josephin Madan, Rachilde, and Henri de Regnier. Several of these authors feature as the lords of islands visited by the pataphysician Dr Faustroll in his curious voyage around Paris. In conjunction with Jarry’s own works, the contemporary livres pairs serve to illustrate the vibrant and experimental atmosphere in which these authors worked.
This passionate and monumental biography reassesses the life and legacy of one of the most significant cultural figures of the twentieth century Unevenly respected, easily hated, almost always suspected of being inferior to his reputation, Jean Cocteau has often been thought of as a jack-of-all-trades, master of none. In this landmark biography, Claude Arnaud thoroughly contests this characterization, as he celebrates Cocteau’s “fragile genius—a combination almost unlivable in art” but in his case so fertile. Arnaud narrates the life of this legendary French novelist, poet, playwright, director, filmmaker, and designer who, as a young man, pretended to be a sort of a god, but who die...
"A scholarly but eminently readable tracing of the sources and recurring themes of anti-Semitism."--