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Cargo Del Tiempo
They offer a sensitive, respectful, and honest portrait of a region increasingly under pressure from the disruptive forces of modernization and political change." "Jacobson's photographs tack back and forth through people's lives to explore the encumbrances and joys of the passage of time. The entire text of the book, including photo captions, appears in both English and Spanish."--BOOK JACKET.
Four Creations
Four Creations is a collection of seventy-four stories told to Gary H. Gossen by Tzotzil Maya storytellers in San Juan Chamula, Mexico. Spanning four cycles of creations, destructions, and restorations from the dawn of cosmic order to the present era, this epic history reveals a distinctly Maya vision of the universe, grand in scope yet leavened with local humor, irony, and the Tzotzil narrators’ own critical commentaries. Four Creations includes mythic accounts of modern history, such as the Wars of Independence, the Mexican Revolution, and the current Protestant evangelical movement. Given in both transcribed Tzotzil and English translations, the texts are enlivened by more than one hundred Maya Indian drawings and by Gossen’s extensive ethnographic and historical notes based on his conversations with the narrators and more than thirty-five years of study. Miguel León-Portílla’s Foreword situates Four Creations within the broader context of Mesoamerican culture and traditions, while the Afterword by Jan Rus relates this work to recent events in modern-day Chamula.
Ritual Humor in Highland Chiapas
Zinacantan, Chamula, and Chenalhó are neighboring Mayan communities situated in highland Chiapas, Mexico, near the city of San Cristóbal Las Casas. The inhabitants of the three communities speak dialects of the Tzotzil language. Five religious fiestas, celebrated by these communities in honor of their saints, provide the data for Victoria Bricker's comparative study of ritual humor. In Chenalhó and Chamula performances of ritual humor are concentrated in the five-day period of a single fiesta, while in Zanacantan similar performances are distributed over threee fiestas. In these fiesta settings, performers in distinctive costumes make obscene and sacreligious remarks in the context of rel...
The Indian Christ, the Indian King
Victoria Bricker shows that "history" sometimes rests on mythological foundations and that "myth" can contain valid historical information. Her book, which is a highly original critique of postconquest historiography about the Maya, challenges major assumptions about the relationship between myth and history implicit in structuralist interpretations. The focus of the book is ethnic conflict, a theme that pervades Maya folklore and is also well documented historically. The book begins with the Spanish conquest of the Maya. In chapters on the postconquest history of the Maya, five ethnic conflicts are treated in depth: the Cancuc revolt of 1712, the Quisteil uprising of 1761, the Totonicapan r...
Cosas
Love and friendship, art and craft, language and culture are the subjects of this look back at one woman's experiences in Mexico over a period of twenty years. What first propels Linda Grant Niemann south are the migrants she encounters in her job as a railroad brakeman in the Southwest. She decides to learn Spanish, and in Mexico she soon meets some surprising kindred spirits. An admirer of craft and expertise, Niemann seeks out individual artists who make exquisite things--Otomi papermakers, the families who produce the famous ceramics of Mata Ortiz, the man in Michoacán who knows how to fashion full-size jaguar thrones in bent cane. Some of her searches lead her to tiny villages and to artists who seldom get to meet their own fans. Niemann wonders if she is experiencing an ordinary shopaholic's obsession or if this is something more. The something more reveals itself as the connection of one artist to another.
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Every Woman Is a World
Born in the remote mountains and tropical forests of southern Mexico, the elder women of Chiapas have witnessed tumultuous change during their lifetimes, which in some cases spanned the entire twentieth century. Through hard experience, these women have gained unique perspectives on the transformations that modernity has brought to their traditional way of life. Reflecting on this rich store of wisdom, artists Gayle Walker and Kiki Suárez began interviewing and photographing Chiapanec women between the ages of 60 and 108. In this book, they present the life stories of twenty-eight women, who speak for the silent members of a divided society - well-to-do, urban ladinas of European descent; m...
With Our Heads Bowed
"Brenda Rosenbaum has succeeded in capturing the daily routines of San Juan Chamula men and women in such a way as to reveal the gender subordination implicit in the fabric of this society. Since few of the monographs on this much studied area have addressed the issue of gender relations, this volume is a welcome and valuable addition to the field. Few ethnographers have explored the ambiguous link between ideology and social role performance in as great a depth as Brenda Rosenbaum. With her long commitment to fieldwork in San Juan Chamula she is able to demonstrate how women have been able to overreach a constraining model of behavior defined by men."- June Nash; Distinguished Professor of Anthropology; City University of New York
