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During the sixteenth century, antiquarian studies (the study of the material past, comprising modern archaeology, epigraphy, and numismatics) rose in Europe in parallel to the technical development of the printing press. Some humanists continued to prefer the manuscript form to disseminate their findings – as numerous fair copies of sylloges and treatises attest –, but slowly the printed medium grew in popularity, with its obvious advantages but also its many challenges. As antiquarian printed works appeared, the relationship between manuscript and printed sources also became less linear: printed copies of earlier works were annotated to serve as a means of research, and printed works could be copied by hand – partially or even completely. This book explores how antiquarian literature (collections of inscriptions, treatises, letters...) developed throughout the sixteenth century, both in manuscript and in print; how both media interacted with each other, and how these printed antiquarian works were received, as attested by the manuscript annotations left by their early modern owners and readers.
Since the dawn of time, man has been fascinated by the night sky and the heavenly bodies that inhabit it. In 1609, Galileo Galilei created an instrument that would change the way the world looked at the heavens forever - the telescope. Galileo: Images of the Universe is a magnificently illustrated volume that takes readers on a journey via the works of artists great and small, known and unknown, from the mystical and poetic visions of the heavens held in Egypt and Mesopotamia, through the Greek cosmogonies and the planetary architecture of Ptolemy, to the heliocentric theories of Copernicus that inspired the likes of Galileo, Kepler, and Newton to create the modern concept of the universe.
Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis. Brook's study interrogates what it means to make personal or anti-institutional art in a medium dominated by a late-capitalist industrial model of production. Her readings of Bellocchio's often enigmatic and perplexing work suggest new ways to answer questions about subjectivity, objectivity, and political commentary in modes of filmmaking. Relating the art of a private director to a public medium, Clodagh J. Brook's work is an important contribution to our understanding of film.
Discover more than 27,000 large and small wholesalers and distributors throughout the U.S and Puerto Rico. You'll easily find the name and address of the organization, fax number, SIC code, principal product lines, total number of employees, estimated annual sales volume and principal officers.
"Long established as the first and last word in movie-going information, Halliwell's is the film industry's favourite guide." "In this major new edition, David Gritten, former chairman of the London Film Critics' Circle, brings Halliwell's into the 21st century. Here are the movies that have created a benchmark and stand out through more than seven decades of film making."--Back cover.
Il volume 32.1 è suddiviso in due parti. La prima comprende gli articoli proposti annualmente alla rivista da studiosi italiani e stranieri che illustrano ricerche archeologiche interdisciplinari in cui l’uso delle tecnologie informatiche risulta determinante per l’acquisizione, l’elaborazione e l’interpretazione dei dati. Tecniche di analisi statistica, banche dati, GIS e analisi spaziali, tecniche di rilievo tridimensionale e ricostruzioni virtuali, sistemi multimediali, contribuiscono a documentare le testimonianze del passato e a diffondere i risultati della ricerca scientifica. La seconda parte del volume contiene un inserto speciale curato da Angela Bellia e dedicato a una tematica innovativa, l’archeomusicologia, un campo di ricerca multidisciplinare che adotta i metodi dell’archeologia per lo studio della musica e della vita musicale nel mondo antico. Gli articoli s’incentrano sul ruolo delle tecnologie digitali basate sulla modellazione 3D e sulla simulazione del suono per ampliare le conoscenze sugli strumenti musicali dell’antichità e sul prezioso, ma estremamente labile, patrimonio sonoro. Chiude il volume la sezione dedicata alle Note e recensioni.