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Atmosphere and Aesthetics
This book provides a presentation of the concept of “atmosphere” in the realm of aesthetics. An “atmosphere” is meant to be an emotional space. Such idea of “atmosphere” has been more and more subsumed by human and social sciences in the last twenty years, thereby becoming a technical notion. In many fields of the Humanities, affective life has been reassessed as a proper tool to understand the human being, and is now considered crucial. In this context, the link between atmospheres and aesthetics becomes decisive. Nowadays, aesthetics is no longer only a theory of art, but has recovered its original vocation: to be a general theory of perception conceived of as an ordinary experience of pre-logical character. In its four parts (Atmospheric turn?, Senses and Spaces, Subjects and Communities, Aesthetics and Art Theory), this volume discusses whether atmospheres could take the prominent and paradigmatic position previously held by art in order to make sense of such sensible experience of the world.
Aerial Environments on the Early Modern Stage
During the early days of the professional English theatre, dramatists including Dekker, Greene, Heywood, Jonson, Marlowe, Middleton, and Shakespeare wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. The drama written for performance at these open-air venues drew attention to and reflected on its own relationship to the space of the air. At a time when theories of the imagination emphasized dramatic performance's reliance upon and implication in the air from and through which its staged fictions were presented and received, plays written for performance at open-air venues frequently draw attention to the nature and significanc...
Discipline Filosofiche (2018-2)
Anna Bortolan, Alessandro Salice, Introduction • Matthew Ratcliffe, Depression, Self-Regulation, and Intersubjectivity Fredrik Svenaeus, Why Heideggerian Death Anxiety is not Truly Uncanny: Existential Feelings and Psychiatric Disorders • Mads Gram Henriksen, Borut Škodlar, Varieties of Emotions: A phenomenological Exploration of Guilt, Shame and Despair in Depression and Schizophrenia • Caterina Maurer, Esperienza affettiva e patologie dello spirito nell’Anthropologie hegeliana • Anastasia Philippa Scrutton, Depression and aesthetic experience: can people with depression appreciate beauty? • Matthew R. Broome, Lisa Bortolotti, Affective Instability and Paranoia • Juliette Vazard, Epistemic Anxiety, Adaptive Cognition, and Obsessive-Compulsive Disorder • Shaun Gallagher, Bruce Janz, Solitude, Self and Autonomy • Moujan Mirdamadi, A Phenomenological Account of Emotional Experiences in Depression among Iranian Patients • Mary Edwards, Acute Gendered Shame Demystified Joel Krueger, Giovanna Colombetti, Affective affordances and psychopathology
Sovereignty Across Generations
Every cohort of voters may dream of being 'the people' under the sway of serial visions of sovereignty; or understand itself, more modestly, as co-author of a constitutional project in a cross-generational sequence rooted in the past and extending into the future. Sovereignty Across Generations offers a theory of democratic sovereignty and constituent power grounded in John Rawls's political liberalism. Neither exegetic nor abstractly analytic, this book assumes that 'political liberalism' is broader than Political Liberalism. In answering the question 'How is it possible for there to exist over time a just and stable society of free and equal citizens, who remain profoundly divided by reaso...
Discipline Filosofiche (2018-1)
Riccardo Chiaradonna, Filippo Forcignanò e Franco Trabattoni, Presentazione • Francesco Fronterotta, “Do the Gods Play Dice?”. Sensible Sequentialism and Fuzzy Logic in Plato’s Timaeus • Riccardo Chiaradonna, Massimo Marraffa, Ontology and the Self: Ancient and Contemporary Perspectives • Gabriele Galluzzo, Are Matter and Form Parts? Aristotle’s and Neo-Aristotelian Hylomorphism • Riin Sirkel, Essence and Cause: Making Something Be What It Is • Marilù Papandreou, Aristotle’s Hylomorphism and The Contemporary Metaphysics of Artefacts • Gabriele De Anna, Substance, Form, and Modality • Maddalena Bonelli, Dipendenza e indipendenza ontologica: la modernità della posizione peripatetica • Enrico Postiglione, Aristotle on the Distribution of Consciousness • Diego Zucca, Neo-Aristotelian Biofunctionalism • Matteo Pietropaoli, L’οὐσία come presenza costante e l’esser vero come autentico essere. Heidegger interprete di Aristotele, Metafisica Θ 10
Everydayness. Contemporary Aesthetic Approaches
The notion of everydayness is currently gaining momentum in scientific discourses, in both philosophical and applied aesthetics. This volume aims to shed light on some of the key issues that are involved in discussions about the aesthetics and the philosophy of everyday life, taking into account the field’s methodological background and intersections with cognate research areas, and providing examples of its contemporary application to specific case studies. The collection brings together twenty essays organised around four main thematic areas in the field of everyday aesthetics: (1) Environment, (2) The Body, (3) Art and Cultural Practices, and (4) Methodology. The covered topics include, but are not limited to, somaesthetics, aesthetic engagement, the performing arts, aesthetics of fashion and adornments, architecture, environmental and urban aesthetics. DOI: 10.13134/978-80-555-2778-9
Atmosphere, Architecture, Cinema
Atmosphere, Cinema, Architecture: Thematic Reflections on Ambiance and Place explores cinema and architecture as ambient and affective settings or circumstances that can enable the emergence of atmosphere. This book is an interdisciplinary reading of cinematographic practice which develops useful implications for spatial composition in art and architectural design. The way a film is set up, directed, composed, framed, and technically constructed can provide parallels, analogies and metaphors for the spatial organisation of cities, landscapes and buildings. Likewise, the way a built setting is conceived and devised can inform approaches to framing and spatial organisation in cinematography. T...
Creatures of the Air
"From the sounds of West Central African harps to the sounds of the European J. S. Bach revival, Creatures of the Air is a nineteenth-century music history told as a history of the art's elemental media system, air. Air is here understood as a human domain and music as an art of that domain, as such embedded in histories of environmental and colonial struggle around a thickened consciousness of the air and of breathing itself. The narrative moves across malarial equatorial climates and polluted industrial ones; the loss and recovery of the human voice in hazardous environmental conditions; scenes of suffocation and breathing mirrored in the creation and performance of Mendelssohn's enormous Elijah oratorio. No longer just an innocent luxury, by its claim to invisibility music is shown to be implicated in the struggle for control over air as a most precious natural resource. What emerges is a complex political ecology where differentiated musical systems combined, struggled against, and co-constituted one another in the course of the global nineteenth century and beyond"--
The Aesthetics of Qiyun and Genius
In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spirit consonance, in Chinese painting, and considers why creating a painting—especially a landscape painting—replete with qiyun is regarded as an art of genius, where genius is an innate mental talent. Through a comparison of the role of this innate mental disposition in the aesthetics of qiyun and Kant’s account of artistic genius, the book addresses an important feature of the Chinese aesthetic tradition, one that evades the aesthetic universality assumed by a Kantian lens. Drawing on the views of influential...
Works for Works, Book 1
Works for Works, Book 1: Useless Beauty tackles "legacy" issues of intellectual property rights (IPR) in artistic production and academic scholarship and proposes a category or class of works that has no relation to IPR nor to proprietary regimes of copyright and academic privilege. Keeney's book is a structuralist argument for establishing new forms of artistic scholarship that operate in direct opposition to established norms in both the art world and neoliberal academia, and is also rigorously contextualized within past and present-day arguments for and against patrimonial and paternalistic, avant-garde and normative, forms of censure and conformity across cultural production. Works for W...
