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In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.
An original and challenging study of Marxist aesthetic theory from an art-historical perspective.
London, 1940. Bombs are falling and 10-year-old Margaret Rose survives a deadly raid, but her family home is destroyed. In faraway Townsville in Queensland, her aunt is ready to take her in, although her 11-year-old cousin Lizzie is not so sure. But first there is a long and dangerous voyage to a strange country, also at war. Margaret Rose knows it's not going to be easy, and Lizzie is not about to make it any easier.
This compelling volume offers the first full portrait of the life and work of writer Lillian Smith (1897-1966), the foremost southern white liberal of the mid-twentieth century. Smith devoted her life to lifting the veil of southern self-deception about race, class, gender, and sexuality. Her books, essays, and especially her letters explored the ways in which the South's attitudes and institutions perpetuated a dehumanizing experience for all its people--white and black, male and female, rich and poor. Her best-known books are Strange Fruit (1944), a bestselling interracial love story that brought her international acclaim; and Killers of the Dream (1949), an autobiographical critique of so...
Roses, pleasure and politics: a fresh take on Orwell as an avid gardener, whose political writing was grounded in his passion for the natural world. 'I loved this book... An exhilarating romp through Orwell's life and times' Margaret Atwood 'Expansive and thought-provoking' Independent Outside my work the thing I care most about is gardening - George Orwell Inspired by her encounter with the surviving roses that Orwell is said to have planted in his cottage in Hertfordshire, Rebecca Solnit explores how his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power. Following his journey from t...
A celebration of the acclaimed African American modern sculptor
A celebration of the career of one of the most respected still photographers in the film industry of the 1970s and 1980s, this is the story of Charles “Chic” Stringer, written by his widow Margaret Rose. Written with a blend of humor and acuity, this work shares the career of the acclaimed photographer who worked on such films as Mad Max and Gone to Ground. It is intended for not only film buffs, but for those who, like Margaret Rose, are bereaved and alone. This work is not only a fascinating, behind-the-scenes look at the film and television industry, but it also provides insight into recovery after the loss of a life partner. An intimate and touching work about the power of the human spirit and our will to persevere, this work is, above all, the story of two people who were made for each other and of life after absolute loss.
The will of wanderer -- The paladin of the night -- The prophet of Akhran.
The Cocktail Hours: an insider tale about making it in Hollywood.