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The Reconstruction of White Southern Womanhood, 1865–1895
This impressively researched book tells the important but little-known story of elite southern white women's successful quest for a measure of self-reliance and independence between antebellum strictures and the restored patriarchy of Jim Crow. Profusely illustrated with the experiences of fascinating women in Virginia and North Carolina, it presents a compelling new chapter in the history of American women and of the South. As were many ideas, notions of the ideal woman were in flux after the Civil War. While poverty added a harder edge to the search for a good marriage among some "southern belles," other privileged white women forged identities that challenged the belle model altogether. T...
The Cavalry at Appomattox
The final campaign of the American Civil War in the eastern theatre witnessed the zenith of American cavalry warfare, the salient aspect of the operation. The Appomattox Campaign not only determined whether the conflict would continue, but also which army had better assimilated the intricate, difficult lessons of mounted service. The outcome indicated why the Union troopers emerged victorious: They displayed greater tactical versatility -- the ability to fight mounted and afoot -- whereas the Confederate horsemen considered the outdated 'saber charge' the essence of mounted battle.
The Confederate War
If one is to believe contemporary historians, the South never had a chance. Many allege that the Confederacy lost the Civil War because of internal division or civilian disaffection; others point to flawed military strategy or ambivalence over slavery. But, argues distinguished historian Gary Gallagher, we should not ask why the Confederacy collapsed so soon but rather how it lasted so long. In The Confederate War he reexamines the Confederate experience through the actions and words of the people who lived it to show how the home front responded to the war, endured great hardships, and assembled armies that fought with tremendous spirit and determination.Gallagher’s portrait highlights a ...
Causes Won, Lost, and Forgotten
More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war--why it was fought, what was won, what was lost--not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gary W. Gallagher guides readers through the stories told in recent film and art, showing how these stories have both reflected and influenced the political, social, and racial currents of their times.
Glory Enough for All
After the ferocious fighting at Cold Harbor, Virginia, in June 1864, Union Lt. Gen.øUlysses S. Grant ordered his cavalry, commanded by Maj. Gen. Philip H. Sheridan, to distract the Confederate forces opposing the Army of the Potomac. Glory Enough for All chronicles the battle that resulted when Confederate cavalry pursued and caught their Federal foes at Trevilian Station, Virginia, perhaps the only truly decisive cavalry battle of the American Civil War. ø Eric J. Wittenberg tells the stories of the men who fought there, including eight Medal of Honor winners and one Confederate whose death at Trevilian Station made him the third of three brothers to die in the service of Company A of the Fourth Virginia Cavalry. He also addresses the little-known but critical cavalry battle at Samaria (Saint Mary's) Church on June 24, 1864, where Union Brig. Gen. David N. Gregg's division was nearly destroyed. ø The only modern strategic analysis of the battle, Glory Enough for All challenges prevailing interpretations of General Sheridan and of the Union cavalry. Wittenberg shows that the outcome of Trevilian Station ultimately prolonged Grant's efforts to end the Civil War.
Blood Image
With Blood Image, Paul Anderson shows that the symbol of a man can be just as important as the man himself. Turner Ashby was one of the most famous fighting men of the Civil War. Rising to colonel of the 7th Virginia Cavalry, Ashby fought brilliantly under Thomas J. "Stonewall" Jackson during the 1862 Shenandoah Valley campaign until he died in battle. Anderson demonstrates that Ashby's image -- a catalytic, mesmerizing, and often contradictory combination of southern antebellum cultural ideals and wartime hopes and fears -- emerged during his own lifetime and was not a later creation of the Lost Cause. The stylistic synergy of Anderson's startling narrative design fuels a poignant irony: men like Ashby -- a chivalrous, charismatic "knight" who had difficulty complying with Stonewall Jackson's authority -- become trapped by the desire to have their real lives reflect their imagined ones.
Why Confederates Fought
Despite the massive volume of writing on the American Civil War, one of the fundamental questions about it continues to bedevil us. Why did non slave holders sacrifice so much to build a slave republic? Non slave holders commitment was not marginal; they formed the vast majority of soldiers who fought on behalf of the Confederacy. Nor was slaver...
Civilizing Torture
Pulitzer Prize Finalist Silver Gavel Award Finalist “A sobering history of how American communities and institutions have relied on torture in various forms since before the United States was founded.” —Los Angeles Times “That Americans as a people and a nation-state are violent is indisputable. That we are also torturers, domestically and internationally, is not so well established. The myth that we are not torturers will persist, but Civilizing Torture will remain a powerful antidote in confronting it.” —Lawrence Wilkerson, former Chief of Staff to Secretary of State Colin Powell “Remarkable...A searing analysis of America’s past that helps make sense of its bewildering pre...
