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According to one of Julia Margaret Cameron’s great-nieces, “we never knew what Aunt Julia was going to do next, nor did anyone else.” This is an accurate summation of the life of the British photographer (1815–1879), who took up the camera at age forty-eight and made more than twelve hundred images during a fourteen-year career. Living at the height of the Victorian era, Cameron was anything but conventional, experimenting with the relatively new medium of photography, promoting her own art though exhibition and sale, and pursuing the eminent personalities of her age—Alfred Tennyson, Charles Darwin, Thomas Carlyle, and others—as subjects for her lens. For the first time, all know...
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House," the biographical essay by Virginia Woolf, and the pathbreaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th anniversary of her birth, the 150th anniversary of her most extensive exhibition, and two major new exhibitions: Julia Margaret Cameron, at the Victoria & Albert Museum, and Art and Photography from the Pre-Raphaelites to the Modern Age, at Tate Britain. Illustrated with over 40 of Julia Margaret Cameron’s greatest photographs, and with an introduction and notes by Tristram Powell.
"Cameron's transition from enthusiastic novice to accomplished artist is revealed in this sensitive study of the woman behind the camera. Colin Ford's unique appraisal of her life and work firmly establishes Julia Margaret Cameron as one of the greatest photographers of all time."--BOOK JACKET.
A comprehensive biography of pioneering Victorian photographer, Julia Margaret Cameron, published to coincide with a Cameron exhbition at London's National Portrait Gallery and the National Museum of Photography in Bradford.
This volume, another in the In Focus series on photographers well represented in the collection of the J. Paul Getty Museum, features the work of the British artist Julia Margaret Cameron (1815-79). Approximately fifty plates by this pioneer of the medium are reproduced, along with commentary by Julian Cox, Assistant Curator in the Museum's Department of Photographers.
Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women
"This selection of photographs by Roger Fenton (1819-69) and Julia Margaret Cameron (1815-79) highlights the existence of some of the finest works in the Royal Photograph Collection, by two leading photographers of the nineteenth century."--Introduction.
In this lavishly illustrated publication, Mike Weaver discusses the work of Julia Margaret Cameron, an English photographer known for her painterly approach to her subjects. Weaver’s essay analyzes Mrs. Cameron’s approach to photography as evidenced in the Overstone Album, a collection of 109 of her albumen prints. These prints, which were made between January 1864 and July 1865, were divided into three categories—“Portraits,” “Madonna Groups,” and “Fancy Subjects for Pictorial Effect”—with annotations by Mrs. Cameron about the images and where they were made. Weaver provides invaluable insight into Mrs. Cameron’s life and art and identifies her many sources and concerns, both secular and religious. The Museum’s Department of Photographs displays selections from its collections on a rotating basis.