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First published in 1981. This study concentrates on the exponents of the central period of German Romanticism, regarding as characteristic the mode in which the poet’s self becomes active only in response to external stimuli, most notably those of landscape. The author traces the main strands of thought and interests that preoccupy Romantic writers; the revolutionary attitude that is yet differentiated from that of writers like Byron by the lack of emphasis on individualism, the dualism of the bourgeois world and the ‘inner self’, the interest in language as an agency for the regeneration of the German spirit, and the concentration on folk-themes and the idea of Wanderung. This title will be of interest to students of literature.
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Originally published in 1965, this book was written to provide 'a not too obtrusive guide' to German poetry from Luther's time up until Brecht's. For the most part, the text consists of poems followed by questions, whose purpose is not to provoke an interpretation or to test knowledge so much as to suggest possible starting-points from which lines of thought or of imagination may run. On the whole, the questions are not meant to be answered one by one, but rather to arouse a certain kind of interest and appreciation. A glossary and a guide for further reading are also included. This book will be of value to anyone with an interest in poetry and German literature.
Presented here for the first time is the full text of John Ruskin's Christmas Story and his related letters of interpretation in which he describes what he believes to be a mystic experience placing him under the guidance of the soul of his lost love, Rose La Touche.
Originally published in 1965, this title is a series of exploratory essays on approaches to thinking. The central topic is the relation of processes of an associative kind (sometimes irrational, in so far as they are not enmeshed with a world of shared experience) to those involving some degree of reference to a common world and hence forming the basis of constructive, critical and logical thought. This theme ran through a good deal of psychological controversy at the time. It is a very old theme that had been dealt with many times and in many ways in the course of its history. One might have chosen to discuss approaches to it other than those considered in the present volume. These, however, were selected for their bearing on one another, and because they formed an interesting part of the background to contemporary psychological theory of the time.
Hayao Miyazaki has gained worldwide recognition as a leading figure in the history of animation, alongside Walt Disney, Milt Kahl, Tex Avery, Chuck Jones, Yuri Norstein and John Lasseter. In both his films and his writings, Miyazaki invites us to reflect on the unexamined beliefs that govern our lives. His eclectic body of work addresses compelling philosophical and political questions and demands critical attention. This study examines his views on contemporary culture and economics from a broad spectrum of perspectives, from Zen and classical philosophy and Romanticism, to existentialism, critical theory, poststructuralism and psychoanalytic theory.