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"For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.
One of the foremost American figurative painters of the twentieth century, it is not surprising that Alice Neel was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties, how they defiance and survival. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the body with frankness while celebrating the individuality of each of her subjects, and they exemplify the freedom and courage with which she approached her work and her life. Through her paintings and works on paper, Neel was able to free herself from the expected inhibitio...
"Explores the themes and stylistic developments of the art of Alice Neel, one of the greatest American painters of the twentieth century, with works spanning nearly seven decades, four essays and additional texts addressing themes and specific works, three artists' appreciations, and a chronology and bibliography"--Provided by publisher.
A systematic soft cover reading scheme book with coloured, detailed and comical illustrations on all 99 pages. The book begins with single words presented on a blank page with a colourful illustration for the child to read out loud. The single words gradually develop into short simple sentences made up entirely from target words for the child to read out loud alone. Interleaved with the simple sentence pages, is a story about the adventures of the main characters as they travel around Malta. These story pages are designed to be read out by the adult to the point where a new target word needs to be learned. These pages of story gradually include the learned target words which are printed in bold for the adult to pause at for the child to read out aloud so that paired reading takes place. The first time a target word appears on the simple sentence pages or the adult read story it will be printed at the bottom of the page. The book is intended to be used with the free Memory/flash cards which can be downloaded from Marco the Malta Bus website. According to research, 16 words included in this first reading book make up 25% of all the words in a typical book.
Known for her portraits of family, friends, writers, poets, artists, students, singers, salesmen, activists, and more, Alice Neel created forthright, intimate, and, at times, humorous paintings that quietly engaged with political and social issues. In Alice Neel, Uptown, writer and curator Hilton Als brings together a body of paintings and works on paper of African-Americans, Latinos, Asians, and other people of color for the first time. Highlighting the innate diversity of Neel’s approach, the selection looks at those whose portraits are often left out of the art-historical canon and how this extraordinary painter captured them; “what fascinated her was the breadth of humanity that she ...
Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women
Today's masters of modern fantasy pay tribute to "Alice in Wonderland" and its inspired creator, Lewis Carroll, in this new anthology. Contributors include Esther Friesner, Roger Zelazny, Janet Asimov, Tobin Larson, Jody Lynn Nye, Janet Pack, Lawrence Watt-Evans, Kevin T. Stein, Jane Lindskold, Bruce Holland Rogers, Lawrence Schimel, Gary A. Braunbeck, Peter Crowther, Connie Hirsch, Mickey Zucker Reichert, Lisa Mason, and Robin Wayne Bailey.
Alice Neel (1900-1984) is widely considered one of the greatest portraitists of the twentieth century. Published on the occasion of a solo exhibition at David Zwirner, New York, this beautifully designed book presents a selection of portraits and still lifes from the last two decades of the artist's life. Called "the pre-eminent painter-chronicler of New York bohemia" by Deborah Solomon of The New York Times, Neel remains a hero to many of today's most influential figurative painters, including Eric Fischl, Elizabeth Peyton and Marlene Dumas--as much for the emotional and psychological intensity of her work as for her exemplary fearlessness.
The Sister Chapel (1974-78) was an important collaborative installation that materialized at the height of the women?s art movement. Conceived as a nonhierarchical, secular commemoration of female role models, The Sister Chapel consisted of an eighteen-foot abstract ceiling that hung above a circular arrangement of eleven monumental canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings formed a visually cohesive group without compromising the individuality of the artists. Contemporary and historical women, deities, and conceptual figures were portrayed by distinguished New York painters-...
Ancient legend from the coasts and islands of Scotland and Ireland about a young crofter and his seal bride and the fateful ending of their marriage.