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The Globalization of Theatre 18701930
Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.
At First Sight
Oxford, England 1993. An awkward American grad student runs into a gorgeous English undergrad with her bicycle. She’s embarrassed. He’s intrigued. They go their separate ways, but neither forgets. Chicago, Illinois 2013. When Cress Taylor starts receiving anonymous threats, the successful novelist feels her world crashing down. Max Grant turns up at a book signing and wants to renew their fleeting acquaintance. Is the timing coincidental or suspicious? Should she fall into his arms or run like hell? Then the plagiarism accusations start. A former spy now working for a global security company, Max Grant has always steered clear of relationships—until now. When he sees Cress in a TV interview, his curiosity ignites. Will the spark he felt twenty years ago burst into flame? Cress is a magnet he can’t resist. As threats escalate to physical danger, Max feels driven to protect Cress. They must learn to work together if they want to stop her nemesis and find their happy ending.
Women and Epistolary Agency in Early Modern Culture, 1450–1690
Women and Epistolary Agency in Early Modern Culture, 1450–1690 is the first collection to examine the gendered nature of women’s letter-writing in England and Ireland from the late-fifteenth century through to the Restoration. The essays collected here represent an important body of new work by a group of international scholars who together look to reorient the study of women’s letters in the contexts of early modern culture. The volume builds upon recent approaches to the letter, both rhetorical and material, that have the power to transform the ways in which we understand, study and situate early modern women’s letter-writing, challenging misconceptions of women’s letters as intr...
The Weekly Notes
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Perfect Put-Downs
Don’t get mad--get even! Packed with lightening comebacks and witty ripostes, Perfect Put-Downs is the ideal compendium for anyone who has ever been lost for words in the face of dazzling rudeness or blinding stupidity. It features acid wit from all eras--from the classic vitriol of Mark Twain, Oscar Wilde, and Dorothy Parker, to cutting commentary from such modern comics as Robin Williams, David Letterman, and Joan Rivers. This book proves that while nice is all well and good, nasty is far more fun.
Parliamentary Papers
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