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Surprisingly, there are few book-length studies available that approach the poems in Charles Baudelaireís collection on an individual basis. Understanding "Les Fleurs du Mal" fills this gap by providing students and serious readers with clear, scholarly "explications" to many of the most widely read of Baudelaire's poems.
Resonant Gaps examines the ways in which Charles Baudelaire exploited certain powers of figurative language while writing on music, particularly that of Richard Wagner. Unlike many recent music/literature studies, Margaret Miner focuses less on the possible convergences of text and music than on their productive distances and divergences. At the heart of this study is Baudelaire's 1861 essay Richard Wagner et Tannhauser à Paris, which is included in this volume in the French text of the 1861 Dentu edition. Called a "long-meditated work of circumstance" by its author, Richard Wagner is the only piece of music criticism that Baudelaire ever attempted, despite the prominence of music as a them...
Includes the decisions of the Supreme Courts of Massachusetts, Ohio, Indiana, and Illinois, and Court of Appeals of New York; May/July 1891-Mar./Apr. 1936, Appellate Court of Indiana; Dec. 1926/Feb. 1927-Mar./Apr. 1936, Courts of Appeals of Ohio.
Public Papers of the Presidents of the United States
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A transcription of the Russell County, Virginia marriage register covering the years from 1900 to 1923. A total of 5,100 marriages are included with separate indices sorted by groom surname and by bride surname. The register also contains the names of the parents, ages, birthplaces, marital condition, the groom's occupation and residences of the parties. Marriage and Proportional Occupational Statistics are compiled for each year and there is a summary table and graphs. This will be a valuable aid to genealogical researchers trying to trace family history in Russell County in the early 20th century and also to those interested in social dynamics, demographics, and population statistics of the era. Third Edition, 1st issue. Full color front and back covers. Interior printed in black and white.