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Healing for the Soul
  • Language: en
  • Pages: 357

Healing for the Soul

Reimagining Gospel : An Introduction -- "A Balm In Gilead" : "Tuning Up" and the Gospel Imagination -- The Moment That Changed Everything : Gospel Music and the Incarnation of Time -- "The Evidence of Things Not Seen" : Gospel Vamps and the Incarnation of Text -- The Pursuit of Intensity : A Formal Theory of the Gospel Vamp.

The Cambridge Companion to the Symphony
  • Language: en
  • Pages: 469

The Cambridge Companion to the Symphony

A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.

Brahms's A German Requiem
  • Language: en
  • Pages: 511

Brahms's A German Requiem

Examines in detail the contexts of Brahms's masterpiece and demonstrates that, contrary to recent consensus, it was performed and received as an inherently Christian work during the composer's life.

Allusion as Narrative Premise in Brahms's Instrumental Music
  • Language: en
  • Pages: 276

Allusion as Narrative Premise in Brahms's Instrumental Music

Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such refer...

Crossing Paths
  • Language: en
  • Pages: 536

Crossing Paths

In Crossing Paths, John Daverio explores the connections between art and life in the works of three giants of musical romanticism. Drawing on contemporary critical theory and a wide variety of nineteenth-century sources, he considers topics including Schubert and Schumann's uncanny ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style for Brahms and others in the Schumann circle. The book offers a fresh perspective on the music of these composers, including a comprehensive discussion of the 19th century practice of cryptography, a debunking of the myth that Schumann and Brahms planted codes for "Clara Schuma...

The Variations of Johannes Brahms
  • Language: en
  • Pages: 384

The Variations of Johannes Brahms

Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, ...

Bruckner: Symphony No. 8
  • Language: en
  • Pages: 156

Bruckner: Symphony No. 8

This book explores Bruckner's Eighth Symphony (1890) from several angles, offering an accessible guide to its musical design.

Mahler's Voices
  • Language: en
  • Pages: 377

Mahler's Voices

Mahler's Voices brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation, unique in being a study not of Mahler's works as such but of Mahler's musical style.

Expressive Intersections in Brahms
  • Language: en
  • Pages: 317

Expressive Intersections in Brahms

“This exceptionally fine collection brings together many of the best analysts of Brahms, and nineteenth-century music generally, in the English-speaking world today.” —Nineteenth-Century Music Review Contributors to this exciting volume examine the intersection of structure and meaning in Brahms’s music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms’s most “absolute” works. “Through its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in Expressive Intersections in Brahms will have a profound impact on the current scholarly discourse surrounding Brahms analysis.” —Notes

Brahms's Elegies
  • Language: en
  • Pages: 295

Brahms's Elegies

A unique insight into the relationship between Brahms's music and his philosophical and literary context from a modernist perspective.