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An ideal introduction to Igigaray's whole corpus, which includes previously untranslated texts.
Including contributions from an international list of renowned authors, this text seeks to address the controversial issue of difference in feminist philosophy, using approaches from both analytic and continental thinking.
Luce Irigaray is one of the leading French feminist philosophers and psychoanalysts. The Irigaray Reader is a collection of her most important paeprs to date, ranging across feminism, philosophy, psychoanalysis and linguistics. A number of them appear here for the first time in English.
The authors of these essays--including Judith Butler, Elizabeth Weed, and Rosi Braidotti--shed new light on the relationship of Irigaray to many of the philosophers she has "romanced," from Aristotle to Deleuze.
Lincoln's Censor examines the effect of government suppression on the Democratic press in Indiana during the spring of 1863. President Abraham Lincoln, who suspended the writ of habeas corpus in 1862, claiming presidential prerogatives given by the Constitution at times of invasion or rebellion, had some political misgivings about the intimidation of Democratic newspapers, but let the practice continue in Indiana from April through June of 1863.
This book, in light of recent feminist theology on the doctrine of sin, attempts to provide historical support for such feminist considerations. It examines fourth-century church fathers, John Wesley, and Phoebe Palmer as places where an alternative of traditional definitional definition, pride, can be found. Diane Leclerc devotes this study to an important twofold question: "What is the most adequate Christian diagnosis of our fundamental human problem?" and the corollary, " How should we understand the wholeness/holiness that Christianity seeks to promote?". While this interrelated topic is challenging in its own right, she has also chosen to approach it by bringing into dialogue some diverse conversation partners. What makes Leclerc's study so instructive is that no partner in this conversation emerges without some challenge for revision, or without some affirmation of their central concerns.
Leading theologian Graham Ward presents a stimulating series of reflections on Christ and contemporary culture. Takes as its starting point Niebuhr’s famous volume on ‘Christ and Culture’ published in the 1970s Explores representations of Christ from sources as diverse as the New Testament and twentieth-century continental philosophy Considers Christ and culture in the light of contemporary categories such as the body, gender, desire, politics and the sublime Develops an original and imaginative Christology rooted in Scriptural exegesis and concerned with today’s cultural issues The author has been described as ‘the most visionary theologian of his generation’.
The essays in this volume fall within a chapter on one of the foundational law subjects on the degree syllabus, and aim to provide an account of feminist approaches to each of the following areas: contracts, torts, land law, equity and trusts, criminal law, public law, and European law.
This book discusses perceptions of ‘femininity’ in contemporary South Korea and the extent to which fictional representations in South Korean women’s fiction of the 1990s challenges the enduring association of the feminine with domesticity, docility and passivity. While existing literature addresses Korean women’s legal, educational, political and employment issues, this study is the first to analyse the cultural values that define femininity in the context of the Korean cultural imagination, concentrating on literary representations of femininity.
In Modernist Fiction, Cosmopolitanism and the Politics of Community, first published in 2001, Jessica Berman argues that the fiction of Henry James, Marcel Proust, Virginia Woolf and Gertrude Stein engages directly with early twentieth-century transformations of community and cosmopolitanism. Although these modernist writers develop radically different models for social organization, their writings return again and again to issues of commonality, shared voice, and exchange of experience, particularly in relation to dominant discourses of gender and nationality. The writings of James, Proust, Woolf and Stein, she argues, not only inscribe early twentieth-century anxieties about race, ethnicity, nationality and gender, but confront them with demands for modern, cosmopolitan versions of community. This study seeks to revise theories of community and cosmopolitanism in light of their construction in narrative, and in particular it seeks to reveal the ways that modernist fiction can provide meaningful alternative models of community.