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Porcelain
"This is the book on porcelain we have been waiting for. . . . A remarkable achievement."—Edmund de Waal, author of The Hare with Amber Eyes A sweeping cultural and economic history of porcelain, from the eighteenth century to the present Porcelain was invented in medieval China—but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony’s revered Meissen factory could not keep porcelain’s ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivaled by private entrepreneurs, eager to make not art but profits. As porcelain’s uses multi...
The Structures of Practical Knowledge
The Structures of Practical Knowledge investigates the nature of practical knowledge – why, how, when and by whom it is codified, and once codified, how this knowledge is structured. The inquiry unfolds in a series of fifteen case studies, which range in focus from early modern Italy to eighteenth century China. At the heart of each study is a shared definition of practical knowledge, that is, knowledge needed to obtain a certain outcome, whether that be an artistic or mechanical artifact, a healing practice, or a mathematical result. While the content of practical knowledge is widely variable, this study shows that all practical knowledge is formally equivalent in following a defined work...
Wilhelm II
Kaiser Wilhelm II (1859-1941) ruled Imperial Germany from his accession in 1888 to his enforced abdication in 1918 at the end of the First World War. This book, based on a wealth of previously unpublished archival material, provides the most detailed account ever written of the first half of his reign. Following on from John Röhl's definitive and highly acclaimed Young Wilhelm: The Kaiser's Early Life, 1859-1888 (1998), the volume demonstrates the monarch's dynastic arrogance and the wounding abuse he showered on his own people as, step by step, he built up his personal power. His thirst for glory, his overweening nationalism and militarism and his passion for the navy provided the impetus ...
Historical Dictionary of Berlin
After World War II Berlin became one of the playgrounds of the Cold War; the Berlin Wall made the division between East and West, between ‘capitalism’ and ‘communism’ in 1961 highly visible, though it did remove Berlin from front-line politics. East and West Berlin had turned into shop-windows of ideologies – West Berlin representing the lure of a market economy, East Berlin the promise of socialism. It is, then, fitting that the fall of the Wall in 1989 awarded Berlin such a prominent role. It was here that the development after Reunification of East and West became a closely observed event – and, well beyond Germany, Berlin appeared to represent fundamental developments through...
Technoscience in History
The relationship of the current technosciences and the older engineering sciences, examined through the history of the “useful” sciences in Prussia. Do today's technoscientific disciplines—including materials science, genetic engineering, nanotechnology, and robotics—signal a radical departure from traditional science? In Technoscience in History, Ursula Klein argues that these novel disciplines and projects are not an “epochal break,” but are part of a history that can be traced back to German “useful” sciences and beyond. Klein's account traces a deeper history of technoscience, mapping the relationship between today's cutting-edge disciplines and the development of the use...
Kultur und Technik
Die Herausforderungen, die mit dem wissenschaftlichen Schlagwort der Interdisziplinarität einhergehen, treten insbesondere dann zutage, wenn große Fächerkulturen aufeinanderstoßen. Inwiefern Geisteswissenschaften auf der einen und Ingenieurwissenschaften auf der anderen Seite miteinander ins Gespräch kommen können, wurde neun Jahre lang im von der DFG geförderten Graduiertenkolleg "Kunst und Technik" ausgelotet. Ausgehend von diesem Verbund entstanden zahlreiche Forschungsideen, -konzepte und -arbeiten. Dieser Band versammelt Einblicke in ausgewählte Projekte, die in diesem Sinne interdisziplinäre Perspektiven einnehmen und zeigt somit die Vielfalt der Wissenschaft im Spannungsfeld von Kultur und Technik auf.
Applied and Decorative Arts
This reference work covers general works, ornament, folk art, arms and armour, ceramics, clocks and automata, costumes, enamels, furniture, glass, leather, metalwork, musical instruments, textiles, dolls and more. Essentially a new work rather than a revision, this annotated bibliography on the history of applied and decorative arts includes over 3000 descriptive entries on books written in western European languages. More than 1000 of these entries are new to the second edition, and approximately half are titles published since 1977. The remainder represent a significant expansion in breadth and depth of the bibliography, with the addition of nearly 500 titles of exhibition and museum catalogues and price guides.
Annotations in Scholarly Editions and Research
The term ‘annotation’ is associated in the Humanities and Technical Sciences with different concepts that vary in coverage, application and direction but which also have instructive parallels. This publication mirrors the increasing cooperation that has been taking place between the two disciplines within the scope of the digitalization of the Humanities. It presents the results of an international conference on the concept of annotation that took place at the University of Wuppertal in February 2019. This publication reflects on different practices and associated concepts of annotation in an interdisciplinary perspective, puts them in relation to each other and attempts to systematize their commonalities and divergences. The following dynamic visualizations allow an interactive navigation within the volume based on keywords: Wordcloud ☁ , Matrix ▦ , Edge Bundling ⊛
Monarchy, Myth, and Material Culture in Germany 1750-1950
A fascinating study of how ordinary German subjects collected and consumed royal relics and memorabilia.
Identity and Image
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...
