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Originally published as Volume 4 (2005) of Brill's journal "Ancient West & East,"
A captivating examination of the profound impact Thracian art and culture had on the Greeks and the entire northern Aegean region. The Thracians—a collection of tribal peoples who inhabited territories north of ancient Greece, an area that comprises present-day Bulgaria, much of Romania, and parts of Greece and Turkey—were renowned for their skill as warriors and horsemen, as well as for their wealth in precious metals. Thracians left few written records, and knowledge of their history and customs has long been dependent on brief accounts from ancient Greek authors. They appeared in Greek myth as formidable adversaries in the Trojan War, cruel kings, and followers of the ecstatic god Dio...
Environment and human habitation have become principal topics of research with the growing interest in the Black Sea region in antiquity. This book highlights their interaction around all the coasts of the region, from different perspectives and disciplines. Here, archaeological excavation and survey combine with studies of classical texts, cults, medicine, and more, to explore ancient experiences of the region. Accordingly, the region is examined from external viewpoints, centred in the Mediterranean (Herodotus, the Hippocratics, ancient geographers, and poets), and through local lenses, particularly supplied by archaeology. While familiar disconnects emerge, there is also a striking cohere...
A captivating examination of the profound impact Thracian art and culture had on the Greeks and the entire northern Aegean region. The Thracians—a collection of tribal peoples who inhabited territories north of ancient Greece, an area that comprises present-day Bulgaria, much of Romania, and parts of Greece and Turkey—were renowned for their skill as warriors and horsemen, as well as for their wealth in precious metals. Thracians left few written records, and knowledge of their history and customs has long been dependent on brief accounts from ancient Greek authors. They appeared in Greek myth as formidable adversaries in the Trojan War, cruel kings, and followers of the ecstatic god Dio...
True to its initial aims, the latest volume of the Journal of Greek Archaeology runs the whole chronological range of Greek Archaeology, while including every kind of material culture.
This extensive publication aims to communicate to the widest possible readership a collection of papers that, for the main part, deal with established work in progress at sites of ancient Greek cities on the Black Sea, and the broader region.This volume is part of a two volume set: ISBN 9781407301112 (Volume I); ISBN 9781407301129 (Volume II); ISBN 9781407301105 (Set of both volumes).
Do the terms ?pagan? and ?Christian,? ?transition from paganism to Christianity? still hold as explanatory devices to apply to the political, religious and cultural transformation experienced Empire-wise? Revisiting ?pagans? and ?Christians? in Late Antiquity has been a fertile site of scholarship in recent years: the paradigm shift in the interpretation of the relations between ?pagans? and ?Christians? replaced the old ?conflict model? with a subtler, complex approach and triggered the upsurge of new explanatory models such as multiculturalism, cohabitation, cooperation, identity, or group cohesion. This collection of essays, inscribes itself into the revisionist discussion of pagan-Christ...
Several papers focus on Tios (the Acropolis, the lower city and coin finds). Its place in ancient geography/cartography is considered before moving on to the indigenous inhabitants of the surrounding area, the immediate and greater region, then the Turkish Black Sea region, and outwards to the western, northern and eastern shores of the Black Sea.
Numerous Iron-Age nomadic alliances flourished along the 5000-mile Eurasian steppe route. From Crimea to the Mongolian grassland, nomadic image-making was rooted in metonymically conveyed zoomorphic designs, creating an alternative ecological reality. The nomadic elite nucleus embraced this elaborate image system to construct collective memory in reluctant, diverse political alliances organised around shared geopolitical goals rather than ethnic ties. Largely known by the term "e;animal style"e;, this zoomorphic visual rhetoric became so ubiquitous across the Eurasian steppe network that it transcended border regions and reached the heartland of sedentary empires like China and Persia. This book shows how a shared fluency in animal-style design became a status-defining symbol and a bonding agent in opportunistic nomadic alliances, and was later adopted by their sedentary neighbours to showcase worldliness and control over the "e;Other"e;. In this study of enormous geographical scope, the author raises broader questions about the place of nomadic societies in the art-historical canon.