You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Once there was a princess forced to choose a fate for her lover-to a future in the arms of a beautiful lady, or to death in the mouth of a lion?
She made her decision. Now she has to live with it. Durkhanai Miangul sealed her lover’s fate when she sent him through a door where either a lady or a lion awaited him. But her decision was only the beginning of her troubles. Durkhanai worries that she might not be the queen her people need or deserve when conflict threatens her kingdom. Her presumed-dead father comes back with a vengeance and wishes she join him in his cause. But her family’s denial of his revenge forces Durkhanai to take matters into her own hands and she must decide whether to follow the traditions of her forefathers or forge a new path on her own.
Once upon a time, in a very olden time, there lived a semi-barbaric king . . . This is not his story. Perfect for fans of These Violent Delights and The Wrath and the Dawn, this scintillating debut retells "The Lady or the Tiger?" against a Pakistan-inspired world of forbidden love and court intrigues. As crown princess of Marghazar, Durkhanai Miangul will do anything to protect her people and her land. When her grandfather, the Badshah, is blamed for a deadly assault on the summit of neighboring leaders, the tribes call for his head. To assuage cries for war, the Badshah opens Marghazar's gates to foreigners for the first time in centuries, in a sign of good faith. His family has three mont...
From the earliest practical containers to the star handbags of today, this book is a comprehensive gallimaufry of the handbag through the ages.
In 1903 a Brahmin woman sailed from India to Guyana as a ‘coolie’, the name the British gave to the million indentured labourers they recruited for sugar plantations worldwide after slavery ended. The woman, who claimed no husband, was pregnant and travelling alone. A century later, her great-granddaughter embarks on a journey into the past, hoping to solve a mystery: what made her leave her country? And had she also left behind a man? Gaiutra Bahadur, an American journalist, pursues traces of her great-grandmother over three continents. She also excavates the repressed history of some quarter of a million female coolies. Disparaged as fallen, many were runaways, widows or outcasts, and ...
From award-winning author Polly Hallcomes a “lyrical debut” (Booklist, Starred Review) and contemporary gothic tale “filled with startling conclusions about the nature of art and love and death” (NYT Book Review). A modern Gothic tale of a woman obsessed with her lover’s taxidermy creatures and haunted by her past. One stormy Christmas, Scarlett recalls the ebb and flow of a yearlong love affair with Henry, a renowned taxidermist. Obsessed with his taxidermy creatures, she pushes him to outdo his colleague and world-famous rival in a crescendo of species-blending creativity. Scarlett will not be able to avoid a reckoning with her own past as Henry’s inventions creep into her own thoughts, dreams, and desires. Drenched in the torrential rains of the Somerset moorland and the sensual pleasures of the characters, The Taxidermist’s Lover lures you ever deeper into Scarlett’s delightfully eerie world. Bram Stoker Award Shortlist for Superior Achievement in a First Novel • IPPY Awards 2021 Gold Medal Winner
Hugo's legs have run away. They simply didn't want to stay at home where they just lay about. Hugo's legs just wanted out! Hugo Holt's legs have run away and jumped on the bus! Hugo can't do without them. How on earth will he catch his runaway legs?
"In the heart-stopping finale to the Crown of Feathers trilogy ... Veronyka must face her most devastating enemy yet: her own sister"--
Skid doesn't believe in ghosts or time travel or any of that nonsense on Syfy. Then one day an annoying theoretical physicist named Dave pops into the seat next to her at her least favorite Kansas City bar and disappears into thin air.
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhār...