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A theologian and a theatre artist examine both the nature of theatrical performance within contemporary culture and its relationship to Christian life, faith, and worship.
Essays examine the impact of women's studies on scholarship in fields, includ American history, political science, economics, literary criticism, and psychology.
Presenting a multifaceted portrait of modernist culture in Russia, an array of distinguished scholars shows how artists and writers in the early twentieth century engaged with politics, science, and religion. At a time when many Russian social institutions looked to the past, modernist arts powerfully amplified a gamut of new ideas about individual and collective transformation. Expanding upon prior studies that focus more specifically on literary manifestations of the movement, Reframing Russian Modernism features original research that ranges broadly, from political aesthetics to Darwinism to yoga. These unique complementary perspectives counter reductionism of any kind, integrating the study of Russian modernism into the larger body of humanistic scholarship devoted to modernity.
The good news is: that faith in material goods really does bring prosperity to society. The bad news is: that self-same commitment to material things leads inexorably to the destruction of the civilizations it builds. Using theatre as a measure society's health, this book shows that Ancient Greece and Rome, Mediaeval Christendom and our own contemporary society all follow the same pattern: prosperity thrives on the conviction that the material world alone constitutes true 'reality'; but that very conviction leads to a rejection of the supernatural, undermines absolute moral standards, and leads to cultural and social disintegration.
"This book is a timely reminder of how theatre can not just entertain, but enlighten and transform us too. The five plays it collects are wonderfully theatrical, moving fluidly from absurdism to tragedy, and from satire to the darkly comic. The translators give us versions that will stimulate and delight readers. performers and audiences. And by giving voice to the 'forgotten playwrights of Central Europe', they also deeply enrich our understanding of the relationship between art, ethics and politics in Europe - both in the past and the present."--BOOK JACKET.
The 1972 Munich Olympics were intended to showcase the New Germany and replace lingering memories of the Third Reich. In this cultural and political history of the Munich Olympics, the authors set these games into both the context of 1972 and the history of the modern Olympiad.
In Mapping the ‘I’, Research on Self Narratives in Germany and Switzerland, the contributors, working with egodocuments (autobiographies, diaries, family chronicles and related texts), discuss various approaches to early modern concepts of the person and of personhood, the place of individuality within this context, genre and practices of writing. The volume documents the cooperation between the Berlin and Basel self-narrative research groups during its first phase (2000-2007). Next to addressing crucial methodological issues, it also demonstrates the richness of egodocuments as historical sources in contributions concentrating, for example, on the body and illness, on food, as well as on the early modern economy, group cultures and autobiographical considerations of one's own suicide. Contributors include Andreas Bähr, Fabian Brändle, Lorenz Heiligensetzer, Angela Heimen, Gabriele Jancke, Gudrun Piller, Sophie Ruppel, Thomas M. Safley, Claudia Ulbrich, Kaspar von Greyerz, and Patricia Zihlmann-Märki.
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