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"This Elusive Land provides an introduction to the literature about women and the environment in Canada. It looks at the ways in which women integrate the social and biophysical settings of their lives, and features a range of contexts in which gender mediates, inspires, and informs a sense of belonging to and in this land. Drawing from geographical, historical, and cultural perspectives, the volume reveals the significance of women's experiences in various landscapes."--Jacket.
"Creative Subversions explores how whiteness and Indigeneity are articulated through iconic images of Canadian identity -- and the contradictory and contested meanings they evoke. These benign, even kitschy, images, she argues, are haunted by ideas aboutrace, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood.
Over the last twenty years the Journal of HistoricalSociology has redefined what historical sociology can be. Theseessays by internationally distinguished historians, sociologists,anthropologists and geographers bring together the very best of theJHS. Volume 1 focuses on the British state, Volume 2 on thejournal’s wider interdisciplinary challenges. The second in a two-volume anthology representing the bestarticles published in The Journal of Historical Sociologyover the last twenty years. Includes essays, debates and responses written byinternationally distinguished historians, sociologists,anthropologists and geographers as well as by pioneering newerscholars have been influential in challenging and redefining thefield of historical sociology. Spans a range of issues and topics that combine rich empiricalscholarship with sophisticated theoretical engagement, bringingtogether the very best of the JHS. Challenges the nature of undertaking interdisciplinary workwithin history and the social sciences. A wide exploration of the historiographical, taking us beyondEurope and often highlighting unconventional approaches to thedisciplines.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In a world increasingly shaped by displacement and migration, refuge is both a coveted right and an elusive promise for millions. While conventionally understood as legal protection, it also transcends judicial definitions. In Lived Refuge, Vinh Nguyen reconceptualizes refuge as an ongoing affective experience and lived relation rather than a fixed category with legitimacy derived from the state. Focusing on Southeast Asian diasporas in the wake of the Vietnam War, Nguyen examines three affective experiences—gratitude, resentment, and resilience—to reveal the actively lived dimensions of refuge. Through multifaceted analyses of literary and cultural productions, Nguyen argues that the meaning of refuge emerges from how displaced people negotiate the kinds of safety and protection that are offered to (and withheld from) them. In so doing, he lays the framework for an original and compelling understanding of contemporary refugee subjectivity.
Working on Screen thus expands the scholarly debates on the concept of national cinema and builds on the rich, formative efforts of Canadian cultural criticism that held dear the need for cultural autonomy.
Theorizing Anti-Racism presents insightful essays that engage both Marxist thought and postcolonial and critical race theory with a focus on clarification and points of convergence.
Rather than view social inequality as a problem for marginalized populations, Power and Everyday Practices turns the spotlight on the ways power and privilege are produced and reproduced in our everyday worlds
Comprises ten case studies written by indigenous authors active in their communities. Describes traditional economies and occupations and analyzes the effects of globalization and industrialization on indigenous and tribal peoples. Includes proposals for development models that respect indigenous rights and preserve traditional knowledge.
Borderline Canadianness offers a unique ethnographic approach to Canadian border life. The accounts of local residents, taken from interviews and press reports in Ontario's Niagara region, demonstrate how borders and everyday nationalism are articulated in complex ways.
Between the late 1970s and the early 2000s, at least sixty-five women, many of them members of Indigenous communities, were found murdered or reported missing from Vancouver’s Downtown Eastside. In a work driven by the urgency of this ongoing crisis, which extends across the country, Amber Dean offers a timely, critical analysis of the public representations, memorials, and activist strategies that brought the story of Vancouver’s disappeared women to the attention of a wider public. Remembering Vancouver’s Disappeared Women traces “what lives on” from the violent loss of so many women from the same neighbourhood. Dean interrogates representations that aim to humanize the murdered or missing women, asking how these might inadvertently feed into the presumed dehumanization of sex work, Indigeneity, and living in the Downtown Eastside of Vancouver. Taking inspiration from Indigenous women’s research, activism, and art, she challenges readers to reckon with our collective implication in the ongoing violence of settler colonialism and to accept responsibility for addressing its countless injustices.