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Marie-Claire
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Marie-Claire
Marie-Claire est un roman de Marguerite Audoux publi� en 1910 aux �ditions Fasquelle et qui a re�u la m�me ann�e le prix Femina, ce qui lui a interdit de recevoir le Prix Goncourt, d�cern� une semaine plus tard, malgr� le soutien d''Octave Mirbeau, auteur de la pr�face1. C''est la premi�re oeuvre de son auteur et � ce titre la plus autobiographique. Le roman s''est vendu � son �poque � plus de 100 000 exemplairesR�sum� : Marie-Claire �voque l''enfance et l''adolescence de l''auteur. La premi�re partie relate la mort de la m�re, le d�part du p�re et les neuf ann�es pass�es � l''orphelinat, l''H�pital g�n�ral de Bourges, p�riode difficile...
Marie-Claire
Excerpt from Marie-Claire: Roman Cette légende, capable de satisfaire, à la fois, le goût qu'on! Les bourgeois pour l'extra ordinaire ci le mépris qu'ils ont de la littera ture, est fausse et absurde. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Marie-Claire (Classic Reprint)
Excerpt from Marie-Claire HE origins of this extraordinary book are sufficiently curious and sufficiently interesting to be stated in detail. They. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Gendering the Memory of Work
This book explores gendered aspects in the memory of work by looking at auto/biographical narratives and political writings of women workers in the garment industry. The author draws on cutting edge theoretical approaches and insights in memory studies, neo-materialism and discourse analysis, particularly looking at entanglements and intra-actions between places, bodies and objects. Tamboukou aims to enrich our appreciation of the role of women’s labour history in the wider realm of cultural memory, as well as in the politics of women’s work. The book addresses a significant gap in the literature by focusing on the memory of work from a gendered perspective. It also examines the relation...
As Told By Herself
As Told by Herself offers the first systematic study of women's autobiographical writing about childhood. More than 175 works—primarily from English-speaking countries and France, as well as other European countries—are presented here in historical sequence, allowing Lorna Martens to discern and reveal patterns as they emerge and change over time. What do the authors divulge, conceal, and emphasize? How do they understand the experience of growing up as girls? How do they understand themselves as parts of family or social groups, and what role do other individuals play in their recollections? To what extent do they concern themselves with issues of memory, truth, and fictionalization? Stopping just before second-wave feminism brought an explosion in women's childhood autobiographical writing, As Told by Herself explores the genre's roots and development from the mid-nineteenth century, and recovers many works that have been neglected or forgotten. The result illustrates how previous generations of women—in a variety of places and circumstances—understood themselves and their upbringing, and how they thought to present themselves to contemporary and future readers.
The End of Youth
For over half a century, Robert Gibson has published extensively on Alain-Fournier's life and work and is now acknowledged as the leading authority on this subject in the English-speaking world. His previous book on Fournier, "The Land Without a Name," was widely praised. In the thirty years since this was published, much new material has come to light. This includes biographical and photographic material about the two great loves of Fournier's life, the hitherto elusive Yvonne de Quiivrecourt and "Simone," the leading boulevard actress of her day; a host of letters to and from Fournier's friends and fellow-writers; a substantial compilation of his work as a prolific literary gossip columnis...
A Belle Epoque?
The Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history.
Marie Claire
Marie-Claire is a novel by Marguerite Audoux published in 1910 by Fasquelle and which received the same year the Femina prize, which forbade her to receive the Prix Goncourt, awarded a week later, despite the support of Octave Mirbeau , author of the preface. It is the first work of its author and as such the most autobiographical. The novel sold more than 100,000 copies.Marguerite Donquichote, who took her mother's name, Audoux, in 1895, was orphaned by age three, following the death of her mother and abandonment by her father. She and her sister Madeleine initially lived with an aunt but ultimately spent nine years in the orphanage at Bourges. In 1877, Andoux was put to work as a shepherdess and farm worker in the region of Sologne. There, she fell in love with a local boy, Henri Dejoulx, but his parents would not permit them to marry.
