You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The first book in English to deal exclusively with Duras' cinema, including such films as India Song, Le Camion, and Nathalie Granger. Provides a lucid and stimulating introduction to her films, which is accessible to a wide readerhip, both specialist and non-specialist.. Locates the films in their autobiographical as well as social and historical context, making the book broadly interesting to students and teachers in all areas of French Studies.. The book's empahasis on gender issues widens it's appeal to include those working in Women's Studies, Gender Studies and Gay and Lesbian Studies.
Born in a northern suburb of Saigon in 1914, Marguerite Duras became one of the most prolific and analyzed figures in 20th-century French literature and film. She earned initial fame with her novel, Moderato Cantabile (1958), which sold half a million copies and won the Prix de Mai. At the request of Alain Resnais, she wrote a scenario on the bombing of Hiroshima. Resnais's film, Hiroshima, Mon Amour (1959), became an immediate hit at Cannes, thus earning Duras further fame. But even after these achievements, little was written about her work until the early 1970s. Since then, the situation has reversed, and a tremendous number of critical and scholarly works have been written about her. Thi...
Published for the first time in English, these World War II-era notebooks offer insights into one of the 20th century's most renowned literary figures. Here are the first drafts of her most famous works, the true stories behind "The Lover, The War," and several other classics.
The first comprehensive study of the narrative and stylistic characteristics of all of Marguerite Duras' major works. Through close textual readings with a particular focus on women's access to language, this book shows how Duras critiques and subverts dominant discourse. Duras' textual strategies are described within a discussion of narrativity which also addresses factors of race and class. Cohen demonstrates how Duras achieves the famous ritual atmosphere of her prose through precise techniques which connect to her critique of representation.
This guide introduces you to the life and work of one of the greatest ninteenth century novelists. In this guide Eliot's themes are explored with reference to her major novels. Both contemporary and modern critical approaches to her work are clearly considered and presented.
Marguerite Duras is France's best-known and most controversial contemporary woman writer. Duras' influence extends from her early novels of the 1950's to her radically innovative experimental autobiographical text of the 1980's The Lover Leslie Hill's book throws new light on Duras' relationship to feminism, psychoanalysis, sexuality, literature, film, politics, and the media. Feted by Kristeva, and Laca who claimed her as almost his other self, Duras is revealed to be a profoundly transgressive thinker and artist. It will be a must for all concerned with contemporary writing, writing by women, recent European cinema, film and literature.
This book studies Marguerite Duras's use of mass media and criminal faits divers as critical components of her literary project.
None
'One of the 20th century's greatest thinkers and prose stylists' New York Times 'A novel of the disquieting contours of family, and of the mind, and of life unceasing even in the midst of death by one of the most important, visionary writers of all time' Amina Cain, author of Indelicacy WITH A FOREWORD BY KATE ZAMBRENO There's nothing to do about boredom, I'm bored, but one day I won't be bored anymore. Soon I'll know that it's not even worth the trouble. We'll have the easy life. Twenty-five-year-old Francine Veyrenattes, confined to the family farm, already feels that life is passing her by. But after Francine lets slip a terrible secret, culminating in the violent deaths of her brother an...
Conversations between two French writers cover woman's social position in Western culture, erotic desire, language, and feminism