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Investment in capital and innovation in its uses are often considered the linchpin of modern economic growth, but has this always been so? This volume aims to shed new light on the ancient Roman economy in the first book-length contribution focusing on the allocation and uses of capital and credit and the role of innovation in the Roman world.
21 papers focus on modelling the costs of construction over the course of 2,500 years, from Bronze Age Greece to the early Middle Ages. They discuss both broader issues of methodology and particular case studies, with particular attention to the exploitation of raw materials (e.g. quarries), transport, and construction processes on building sites.
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A strange, fascinating novel set in Japan follows the efforts of a dissident who his determined to trash the safe, accepted notions of Hiroshima history and sets out on an epic journey to do just that by creating his own calendar, among other acts of defiance. (General Fiction)
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Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This volume of new work will address fundamental questions: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting? How is landscape deployed in the work of such filmmakers as Greenaway, Rossellini, or Antonioni, to name just three? What are differences between the use of landscape in Western filmmaking and in the work of Middle Eastern and Asian filmmakers? How is cinematic landscape related to the idea of a national cinema and questions of identity. The first collection on the idea of landscape and film, this volume will present an impressive international cast of contributors, among them Jacques Aumont, Tom Conley, David B. Clarke, Marcus A. Doel, Peter Rist, and Antonio Costa.
As the death of this entire new universe draws near, each Ranger will be faced with a terrible choice—and one Ranger may be forced to betray everything they believe in.