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Law and Literature
This book is an original contribution to the field of law and literature. In addition to seeing law as a form of literature, it sees literature as a form of law, and examines the law-making qualities of fiction to explore the fiction-making qualities of law. Its examples range from Greek myth to contemporary writing, film and popular music, and suggest new ways of living with and entering the legal labyrinth. Aristodemou's style is both accessible and entertaining. The book is aimed at undergraduates and postgraduates in law as well as other disciplines concerned with law and literature, jurisprudence, and other options addressing the intersections between law and culture.
Law, Psychoanalysis, Society
'I swear to tell the truth, the whole truth, and nothing but the truth' we say in a court of law. 'In a court of law, the truth is precisely what we will not say', says Lacan. This book takes Lacan's inversion, and the hypothesis of the unconscious, seriously and puts the legal subject on the couch. In its exploration into the incestuous relationship between law and desire, enjoyment and transgression, truth and lies, freedom and subservience, ethics and atheism, this book provides a step-by-step analysis of those central psychoanalytic concepts that problematize fundamental tenets of the legal system.
The Sentimental Life of International Law
The Sentimental Life of International Law is about our age-old longing for a decent international society and the ways of seeing, being, and speaking that might help us achieve that aim. This book asks how international lawyers might engage in a professional practice that has become, to adapt a title of Janet Malcolm's, both difficult and impossible. It suggests that international lawyers are disabled by the governing idioms of international lawyering, and proposes that they may be re-enabled by speaking different sorts of international law, or by speaking international law in different sorts of ways. In this methodologically diverse and unusually personal account, Gerry Simpson brings to th...
Critical Queer Studies
Critical Queer Studies examines contemporary films and documentaries that dramatize the intersection of law and queer life, analyzing the effects of legal doctrines-jury selection, unwanted sexual advance, negligence, hate crimes, and gay marriage-on the production and reception of queer film and fiction. Exploring the interaction of these discourses by discussing internationally-known American films, the book demonstrates how the law maintains its hold over the queer subject through promoting certain ideological fictions and conversely how film and literature draw upon the material realities of queer legal status to dramatize conflicts between law and the marginalized subject. Critical Queer Studies synthesizes queer studies, law and literature, and film studies, engaging these fields to show how the struggle for gay and lesbian rights has influenced the production of film and fiction.
Disobedience
Disobedience has been practiced and considered since time immemorial. The aim of this edited collection is to explore the concept and practice of disobedience through the prism of contemporary ideas and events. Past writings on disobedience represented it as a largely political practice that revealed the limits of government or law. It was not, for example, thought of as a subjective exigency and its discussion in relation to law and politics was tied to an unduly narrow conception of these terms. Disobedience: Concept and Practice reveals the multivalent, multidisciplinary and poly-local nature of disobedience. The essays in this volume demonstrate how disobedience operates in various terrains, and may be articulated in relation to textuality, aesthetics and subjectivity, as well as politics and law. A rich and useful guide to current legal, political and social possibilities, this book provides a fresh perspective on a subject that is of both historical importance and contemporary relevance.
Empty Justice: One Hundred Years of Law Literature & Philosophy
Using literature as a source of challenges to questions in philosophy and law, this book exlores the inculcation of the legal subject and the relationship between "modernism" and "postmodernism", as well as how such concepts might evolve in the construction of community ethics.
The Story of Pain
Everyone knows what is feels like to be in pain. Scraped knees, toothaches, migraines, giving birth, cancer, heart attacks, and heartaches: pain permeates our entire lives. We also witness other people - loved ones - suffering, and we 'feel with' them. It is easy to assume this is the end of the story: 'pain-is-pain-is-pain', and that is all there is to say. But it is not. In fact, the way in which people respond to what they describe as 'painful' has changed considerably over time. In the eighteenth and nineteenth centuries, for example, people believed that pain served a specific (and positive) function - it was a message from God or Nature; it would perfect the spirit. 'Suffer in this lif...
Saramago’s Philosophical Heritage
The past decades have seen a growing “philosophical” interest in a number of authors, but strangely enough Saramago’s oeuvre has been left somewhat aside. This volume aims at filling this gap by providing a diverse range of philosophical perspectives and expositions on Saramago’s work. The chapters explore some possible issues arising from his works: from his use of Plato’s allegory of the cave to his re-readings of Biblical stories; from his critique and “reinvention” of philosophy of history to his allegorical exploration of alternative histories; from his humorous approach to our being-towards-death to the revolutionary political charge of his fiction. The essays here confront Saramago’s fiction with concepts, theories, and suggestions belonging to various philosophical traditions and philosophers including Plato, Pascal, Kierkegaard, Freud, Benjamin, Heidegger, Lacan, Foucault, Patočka, Derrida, Agamben, and Žižek.
American Modernist Fiction
American Modernist Fiction: Psychoanalytic Recitations of Identity addresses five American Modernist novels in light of Lacanian psychoanalytic theory: Nathanael West's Miss Lonelyhearts, Kay Boyle's Process, Djuna Barnes's Nightwood, Thornton Wilder's The Cabala, and F. Scott Fitzgerald's Tender Is the Night. Dolis's dynamic readings constitute a spirited "performance" of the narrative, deploying his own innovative form of literary analysis, what he calls "performance criticism". These psychoanalytic studies simultaneously stage the narrative and re-enact its putative significance, provoke and question its intent, thereby establishing a dialectics of desire—what both affects the body of the narrative and, equally, the critic's subjectivity.
Comrade
When people say “comrade,” they change the world In the twentieth century, millions of people across the globe addressed each other as “comrade.” Now, among the left, it’s more common to hear talk of “allies.” In Comrade, Jodi Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relationship of political belonging that must be built, sustained, and defended. Dean offers a theory of the comrade. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relationship is characterized by discipline, joy, courage, and enthusiasm. Considering the egalitarianism of the comrade in light of differences of race and gender, Dean draws from an array of historical and literary examples such as Harry Haywood, C.L.R. James, Alexandra Kollontai, and Doris Lessing. She argues that if we are to be a left at all, we have to be comrades.
