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Law and Literature
This book is an original contribution to the field of law and literature. In addition to seeing law as a form of literature, it sees literature as a form of law, and examines the law-making qualities of fiction to explore the fiction-making qualities of law. Its examples range from Greek myth to contemporary writing, film and popular music, and suggest new ways of living with and entering the legal labyrinth. Aristodemou's style is both accessible and entertaining. The book is aimed at undergraduates and postgraduates in law as well as other disciplines concerned with law and literature, jurisprudence, and other options addressing the intersections between law and culture.
Law, Psychoanalysis, Society
'I swear to tell the truth, the whole truth, and nothing but the truth' we say in a court of law. 'In a court of law, the truth is precisely what we will not say', says Lacan. This book takes Lacan's inversion, and the hypothesis of the unconscious, seriously and puts the legal subject on the couch. In its exploration into the incestuous relationship between law and desire, enjoyment and transgression, truth and lies, freedom and subservience, ethics and atheism, this book provides a step-by-step analysis of those central psychoanalytic concepts that problematize fundamental tenets of the legal system.
Law, Psychoanalysis, Society
'I swear to tell the truth, the whole truth, and nothing but the truth' we say in a court of law. 'In a court of law, the truth is precisely what we will not say', says Lacan. This book takes Lacan's inversion, and the hypothesis of the unconscious, seriously and puts the legal subject on the couch. In its exploration into the incestuous relationship between law and desire, enjoyment and transgression, truth and lies, freedom and subservience, ethics and atheism, this book provides a step-by-step analysis of those central psychoanalytic concepts that problematize fundamental tenets of the legal system.
Law, Psychoanalysis, Society
'I swear to tell the truth, the whole truth, and nothing but the truth' we say in a court of law. 'In a court of law, the truth is precisely what we will not say', says Lacan. ‘If God is dead, everything is permitted’, writes Dostoyevsky. ‘If God is dead, everything is prohibited’, responds Lacan. ‘I think, therefore I am’, reasons Descartes. ‘I am where I do not think’, concludes Lacan. What are we to make of Lacan’s inversions of these mottos? And what are the implications for the legal system if we take them seriously? This book puts the legal subject on the couch and explores the incestuous relationship between law and desire, enjoyment and transgression, freedom and su...
Critical Queer Studies
Critical Queer Studies examines contemporary films and documentaries that dramatize the intersection of law and queer life, analyzing the effects of legal doctrines-jury selection, unwanted sexual advance, negligence, hate crimes, and gay marriage-on the production and reception of queer film and fiction. Exploring the interaction of these discourses by discussing internationally-known American films, the book demonstrates how the law maintains its hold over the queer subject through promoting certain ideological fictions and conversely how film and literature draw upon the material realities of queer legal status to dramatize conflicts between law and the marginalized subject. Critical Queer Studies synthesizes queer studies, law and literature, and film studies, engaging these fields to show how the struggle for gay and lesbian rights has influenced the production of film and fiction.
Empty Justice: One Hundred Years of Law Literature & Philosophy
Using literature as a source of challenges to questions in philosophy and law, this book exlores the inculcation of the legal subject and the relationship between "modernism" and "postmodernism", as well as how such concepts might evolve in the construction of community ethics.
Human Rights and Empire
Erudite and timely, this book is a key contribution to the renewal of radical theory and politics. Douzinas, a leading scholar and author in the field of human rights and legal theory, considers the most pressing international questions surrounding the legacy and contemporary role of human rights.
Comrade
Between mass participation in two world wars and mass participation in Communist parties, in the 20th century millions of people across the globe addressed each other as 'comrade'. Now, it's more common to hear talk of 'allies' on the left than it is of comrades. In Comrade, Jodi Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relation of political belonging that must be built, sustained, and defended. In Comrade, Dean offers a theory of the comrade as a mode of address, figure of belonging, and carrier of expectations for action. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relation is characterized by discipline, joy, courage, and enthusiasm. Considering the generic egalitarianism of the comrade in light of differences of race and gender, Dean draws from an array of historical and literary examples such as Harry Haywood, CLR James, Alexandra Kollontai, and Doris Lessing. She argues that if we are to be a Left at all, we have to be comrades.
The Story of Pain
Everyone knows what is feels like to be in pain. Scraped knees, toothaches, migraines, giving birth, cancer, heart attacks, and heartaches: pain permeates our entire lives. We also witness other people - loved ones - suffering, and we 'feel with' them. It is easy to assume this is the end of the story: 'pain-is-pain-is-pain', and that is all there is to say. But it is not. In fact, the way in which people respond to what they describe as 'painful' has changed considerably over time. In the eighteenth and nineteenth centuries, for example, people believed that pain served a specific (and positive) function - it was a message from God or Nature; it would perfect the spirit. 'Suffer in this lif...
Saramago’s Philosophical Heritage
The past decades have seen a growing “philosophical” interest in a number of authors, but strangely enough Saramago’s oeuvre has been left somewhat aside. This volume aims at filling this gap by providing a diverse range of philosophical perspectives and expositions on Saramago’s work. The chapters explore some possible issues arising from his works: from his use of Plato’s allegory of the cave to his re-readings of Biblical stories; from his critique and “reinvention” of philosophy of history to his allegorical exploration of alternative histories; from his humorous approach to our being-towards-death to the revolutionary political charge of his fiction. The essays here confront Saramago’s fiction with concepts, theories, and suggestions belonging to various philosophical traditions and philosophers including Plato, Pascal, Kierkegaard, Freud, Benjamin, Heidegger, Lacan, Foucault, Patočka, Derrida, Agamben, and Žižek.
