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Urban Space And Representation
An innovative and interdisciplinary collection of new work on the forms and meanings of the modern city in literary, film and cultural studies.
Gathering of Strangers
Public institutions do not sit ?outside? society, they are the barometer of time and place. How museums and galleries open themselves up to change and engage dissenting voices is not obvious or easy, but as a recent visitor said, ?Art is an invitation to a conversation? ? so perhaps our role might be to unlock that conversation.?As the world adapts to the consequences of a global pandemic, museums continue to experience unprecedented disruption and change. At the same time, there is a growing debate and dissent over what museums are for, who they speak to and what the histories, objects and ideas they are tasked with holding reflect ? all taking place within a public sphere that feels increa...
Bright Stars
In Bright Stars, Kate Bryan examines the short lives and long legacies of artists who died before their time. In this personal, persuasive and evocative book, Kate introduces some of the most inspiring people in art and examines the myriad ways that death can affect the course of art history.
Gregor Schneider
Talks about artist Gregor Schneider's extension of the original work, a document and exploration of Schneider's obsession with repression, reproduction, and repetition in images and text. Internationally renowned for his unnerving presentation of normality, Schneider's medium is the room - kitchen, living room, bedroom, bathroom, and cellar.
Art and Feminism
The rich diversity of art informed by feminism since the 1960s, now available in paperback.
Johnnie Shand Kydd
As an emerging photographer, Shand Kydd became known for capturing the incipient community of YBAs (Young British Artists) during the 1990s. He created hundreds of now iconic black and white images of his artist friends and has continued to track the progress of figures such as Sarah Lucas, Tracey Emin, Gilbert and George and Damien Hirst. This selection of works from Shand Kydd?s extensive and varied portfolio focuses on his yearly trips to the Greek island of Hydra at the invitation of the art collector and Whitworth patron, Pauline Karpidas. With an informal, convivial and occasionally poignant eye, Shand Kydd captures the annual summer confluence of invited members of the international art world, a coming together of rising talent, established luminaries, partners and family members.
Castle of Books
Two children go on a creative journey to discover the answer to the question ́Why do we need books?́+ As they pore over piles of books and discover the incredible worlds and words within, they find lots of answers to this question: to observe, to discover, to imagine, and to understand each other.
The Twin Dogs
The twin dogs are very happy, living in their house with their owners and getting up to anything they want. When they aren't arguing over which of them is the oldest, they like to take their family out for walks, drink milk in the mornings, play catch, and get pet whenever they fancy. All of a sudden, everything changed. No milk in the mornings, strangers are taking them for walks, and there's no running or playing catch--what on earth is going on? It appears there's a new member of the household--they must put a stop to this immediately, so they come up with a plan.
Another London
In the years between 1930 and 1980, some of the best-known photographers from around the world came to London and made its streets, buildings and communities their subject. This book demonstrates the breadth and variety of the responses London has provoked from visiting photographers during the period.
Women Can't Paint
In 2013 Georg Baselitz declared that 'women don't paint very well'. Whilst shocking, his comments reveal what Helen Gørrill argues is prolific discrimination in the artworld. In a groundbreaking study of gender and value, Gørrill proves that there are few aesthetic differences in men and women's painting, but that men's art is valued at up to 80 per cent more than women's. Indeed, the power of masculinity is such that when men sign their work it goes up in value, yet when women sign their work it goes down. Museums, the author attests, are also complicit in this vicious cycle as they collect tokenist female artwork which impinges upon its artists' market value. An essential text for students and teachers, Gørrill's book is provocative and challenges existing methodologies whilst introducing shocking evidence. She proves how the price of being a woman impacts upon all forms of artistic currency, be it social, cultural or economic and in the vanguard of the 'Me Too' movement calls for the artworld to take action.
