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Eoudong
Eoudong is a 1985 South Korean film starring Ahn Sung-ki and Lee Bo-hee. Lee Bo-hee won the best actress award at Grand Bell Awards in 1986. The film was selected as the South Korean entry for the Best Foreign Language Film at the 58th Academy Awards but was not accepted as a nominee.
A Good Lawyer's Wife
A Good Lawyer's Wife is a 2003 South Korean film written and directed by Im Sang-soo. The film is about the various affairs of members of a dysfunctional South Korean family.
Radioactive Isotopes in Clinical Medicine and Research XXIII
Radioactive Isotopes in Clinical Medicine and Research XXIII presents an update in the latest clinical research in nuclear medicine. It provides in-depth information on all areas of nuclear medicine. The chapters of this volume have been grouped into the following sections: Neurology / Psychiatry, Therapy, Radiopharmacology, Endocrinology / Thyroid, Oncology / Haematology, Clinical PET, Cardiology, Varia, Physics / Radiation Protection, World Wide Web / WWW demo. Special attention is paid to the virtual media for teaching, training, communication, quality control etc. Primarily intended for specialists in the nuclear medicine, this volume will also be of considerable interest to clinicians using diagnostic and therapeutic nuclear medicine procedures, including cardiologists, haematologists, neurologists, nephrologists, oncologists, pharmacologists, and psychiatrists.
Earthquake
Earthquake is a 1974 American ensemble disaster drama film directed and produced by Mark Robson. The plot concerns the struggle for survival after a catastrophic earthquake destroys most of the city of Los Angeles, California. Directed by Mark Robson and with a screenplay by George Fox and Mario Puzo, the film starred a large cast of well-known actors, including Charlton Heston, Ava Gardner, George Kennedy, Lorne Greene, Geneviève Bujold, Richard Roundtree, Marjoe Gortner, Barry Sullivan, Lloyd Nolan, Victoria Principal, and (under an alias) Walter Matthau. It is notable for the use of an innovative sound effect called Sensurround, which created the sense of actually experiencing an earthquake in theatres.
Carmen, Baby
The film Carmen, Baby, according to one reviewer, was the beginning of Metzger's successful style in his later films: that is, adapting "a literary classic in a gorgeous European locale with high polish and a goodly helping of sophisticated sex and seduction." Film critic Jesse Vogel noted that the film is an example of Metzger's signature style, "cool, classy, distant, with a distinctively European sensibility". According to film reviewer Gary Morris, Carmen was "well played" by Uta Levka; lighting and camerawork by Hans Jura was "first-rate". Another reviewer wrote that the film had "a rather classy look" and that the performers were "attractive" and the setting "beautiful".
De Sade
De Sade (German title: Das Ausschweifende Leben des Marquis De Sade) is a 1969 American-German drama film starring Keir Dullea and Senta Berger. It is based on the life of Donatien Alphonse François, Marquis de Sade, named Louis Alphonse Donatien in the film. Dullea, in his first film role since the 1968 release of 2001: A Space Odyssey, plays the title character in a film characterized by its psychedelic imagery and go-go sensibilities. As the dying Marquis recalls his life out of sequence, he is terrorized by his uncle and haunted by his own past of debauchery.
An Affair
An Affair is a 1998 South Korean film. The quiet film about a woman who falls in love with her sister's fiancé was the seventh-highest-grossing Korean film of 1998 and won the Best Asian Film award at the 1999 Newport Beach International Film Festival.
Faster, Pussycat! Kill! Kill!
Faster, Pussycat! Kill! Kill! is a 1965 American exploitation film directed by Russ Meyer and co-written by Meyer and Jack Moran. It follows three go-go dancers who embark on a spree of kidnapping and murder in the California desert. The film is known for its violence, provocative gender roles, and eminently quotable "dialogue to shame Raymond Chandler". It is also remembered for the performance of star Tura Satana, whose character Richard Corliss called "the most honest, maybe the one honest, portrayal in the Meyer canon". Faster, Pussycat! was a commercial and critical failure upon its initial release, but it has since become widely regarded as an important and influential film.
