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Tpm
Revista Tpm. Entrevistas e reportagens sobre comportamento, moda, beleza, viagem e decoração para mulheres que querem ir além dos manuais, desafiando os padrões. Imagem não é tudo.
Dictatorship in South America
Dictatorship in South America explores the experiences of Brazilian, Argentine and Chilean experience under military rule. Presents a single-volume thematic study that explores experiences with dictatorship as well as their social and historical contexts in Latin America Examines at the ideological and economic crossroads that brought Argentina, Brazil and Chile under the thrall of military dictatorship Draws on recent historiographical currents from Latin America to read these regimes as radically ideological and inherently unstable Makes a close reading of the economic trajectory from dependency to development and democratization and neoliberal reform in language that is accessible to general readers Offers a lively and readable narrative that brings popular perspectives to bear on national histories Selected as a 2014 Outstanding Academic Title by CHOICE
Hotel Trópico
In the wake of African decolonization, Brazil attempted to forge connections with newly independent countries. In the early 1960s it launched an effort to establish diplomatic ties with Africa; in the 1970s it undertook trade campaigns to open African markets to Brazilian technology. Hotel Trópico reveals the perceptions, particularly regarding race, of the diplomats and intellectuals who traveled to Africa on Brazil’s behalf. Jerry Dávila analyzes how their actions were shaped by ideas of Brazil as an emerging world power, ready to expand its sphere of influence; of Africa as the natural place to assert that influence, given its historical slave-trade ties to Brazil; and of twentieth-ce...
A Discontented Diaspora
DIVAnalyzes the experiences of a generation of Japanese-Brazilians in Sao Paulo during the most authoritarian period of military rule in order to ask questions about ethnicity, the nature of diasporic identity, and Brazilian culture. /div
Concrete Inferno
After a coup in 1964 that ousted Brazil’s leftist President João Goulart from power, a brutal military dictatorship took the reins of the state. As a result, elements of the persecuted Brazilian Communist Party split from a more peaceful, orthodox line and declared their intent to wage an insurgent war against the government, plunging the country into a conflagration of violence marked by cycles of urban bombings, political assassinations, institutional torture, kidnappings, and summary executions. Concrete Inferno relays this period in Brazil in a lucid narrative history, exploring what drove the military coup of 1964, the subsequent rise of the Armed Left, and the successes and failures of the insurgency and how it concluded. Stretching from the rumblings of discontent during João Goulart’s ascendancy in 1961 to the strange conclusion of the dictatorship in 1985, the book draws on new primary sources and a wealth of English- and Portuguese-language resources to provide a complete and evenhanded portrait of the conflict.
Amores Brasileiros
“ Amores brasileiros “ “CONTA NO TEU JARDIM FLORES E FRUTOS ,NÃO CONTE AS FOLHAS QUE TOMBARAM . CONTA OS TEUS DIAS PELAS HORAS DE OURO, NÃO PELAS QUE FALHARAM . PELAS ESTRELAS, CONTA A NOITE E A VIDA PELOS TRIUNFOS ,NÃO PELOS PERIGOS .NÃO CONTE TUA IDADE ,PELOS ANOS, MAS SIM PELOS AMIGOS QUE FEZ AO LONGO DOS ANOS VIVIDOS . Tirado de um livro de poesias Inglesa “
Pedro e os lobos
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Guerrilheiras
Guerrilheiras: memórias da ditadura e militância feminina nos conta uma história da memória da ditadura militar de 1964 ao longo do período democrático a partir de duas figuras emblemáticas da luta feminina contra o regime: Dilma Rousseff e Iara Iavelberg. A obra analisa duas biografias: Iara: reportagem biográfica, escrita em 1992 pela jornalista Judith Patarra, em torno da vida e militância política da jovem Iara Iavelberg, morta pela ditadura, e A vida quer é coragem: a trajetória de Dilma Rousseff, a primeira presidenta do Brasil, escrito por Ricardo Batista Amaral, publicado em 2011, logo no início do primeiro mandato presidencial de Dilma. A historiadora Juliana Marques an...
O Segundo Processo
No alto, o juiz. Embaixo, os advogados. Todos de toga ou bem vestidos, dizendo palavras difíceis. Num dos lados, o autor. No outro, o réu. Cada qual com a sua história, as suas raivas, os seus medos. Nas paredes pode estar um crucifixo. Na mesa, livros e tablets. As cadeiras seguindo uma ordem. As paredes numa certa cor. A todo instante, olhares se vigiando, dedos se mexendo, sorrisos sinceros e falsos. Máscaras, trejeitos, cacoetes. Cada corpo produzindo um gesto. Cada gesto, uma mensagem. Cada mensagem, um efeito. Qual a função deste cenário? A que serve tudo isto? O que é, afinal, um processo? O que nos dizem os símbolos da Justiça? Pode ela esconder o seu oposto? Quais os segre...
