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Give Up Art is a collection of critical writings by author Maria Fusco. Operating across fiction, criticism, and theory, Fusco's work forges a contemporary space for critical art writing internationally. Give Up Art brings together nearly two dozen essays, reviews, and smaller pieces published between 2002 and 2017.
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Legend of the Necessary Dreamer is: - a novella - a prose essay - an excavation of the historic Palacio Pombal - a work of impatience and death."
'The first thing you notice is nothing. It takes your eyes a little whileto get used to this, after ten seconds you cant remember lookingat anything else,'' writes Maria Fusco, founding editor of The HappyHypocrite, in ''How You Lost the Stars,'' part of her first collectionof short stories. Stripping bare the accord of culture and commodity,this sequence of stories tracks the slimy path of social mobilitywith serious playfulness and an eye for the absurd. Tales of DonaldSutherland fucking a doll, two men eating a clown and how theobsessive searching through garbage cans can transform trash intomeaning, this is a book about the porous relationship betweenthe extra-mundane and the average. Maria Fusco is Director of ArtWriting at Goldsmiths, University of London.
'Cosey Complex' discusses seminal artist and musician Cosey Fanni Tutti. The book includes new commissions from a diverse range of international artists, writers and theorists, each contributor was invited to consider the shifting 'Cosey' from noun to verb, and to produce work enacting this transition.
Paul Winstanley, who works from photographic material, creates
Gonda, a new book by Ursula Mayer and Maria Fusco, experiments in cinematic and linguistic registers through polyphonic monologue. Taking the form of a ciné-roman, the book is based on Mayer's 16mm film of the same name, with a screenplay written by Maria Fusco and commissioned by Film London. Gonda is informed by Ayn Rand's 1934 play Ideal. In the play's script, controversial Russian American writer and philosopher Rand lays out her philosophical system of "Objectivism" with its stubbornly anti-altruistic and individualistic position. As a critical counter to Rand, Gonda creates kaleidoscopic printed spaces in which image and text shift roles to affect presupposed ideals of identity and ex...
Presenting: a reprint in entirety of A Great Book Primer: Essays on Liberal Education, the Uses of Reading and the Rules of Reading, published by the Great Books Foundation, Chicago (1955). Seemingly useless when divorced from the complete series of Great Books, this primer exists as both an archaic set of rules, and open-ended set of possibilities. In this spirit the editing process happens outside the journal in the form of a parley-based art writing festival at the Whitechapel Gallery, London in August 2009, with new commissions selected from invitation and open submission.
This collection of essays and discussions examines the role of judgment in art writing within the context of a renewed interest in the efficacy and function of contemporary art criticism.